Marginalia #3

October 8, 2008

The Mouse Story

I Don’t know why I doodled the cat and mouse on the end page of the short Julian Barnes essay “Literary Executions,” why that duo instead of, say, a dog and sheep, or a dog and elephant—after all, no cats are mentioned in the essay. I can’t say why, but I’m willing to speculate.

The essay, collected in The Writing Life: Writers on How They Think and Work, is about the burdens of being the literary executor for a friend of Julian Barnes, author Dodie Smith (Dear Octopus, Capture the Castle, The Hundred and One Dalmatians, etc.). One of his executor responsibilities involved deciding whether or not it was proper to sell reprint rights to Japan, given that in life Ms. Smith had objected to such a deal because she believed the Japanese had a fondness for dogs fried, baked and par-boiled. (According to the essay that report was untrue, it was actually the Chinese who savored canine meals.) Meanwhile, the only direct connection between my doodle and the essay was that the essay mentioned, in passing, that mice had chewed the corners off some of Ms. Smith’s manuscript pages. Might my doodle mouse be explaining to the cat why he did that? But why a cat? Why not have the mouse explain its misdeed to a dog, one of the potential victims mentioned in the essay?

My guess is that the cat has been sent to execute the mouse for chewing the manuscripts, and the clever mouse is telling Scheherazade-like stories while trying to figure out how to escape. (No, wait—that’s an idea I had years ago for a children’s book—one with which, as usual, I never got around to doing anything. So many “brilliant” ideas, so little time.)

“The Mouse Story” is the third in a series of occasional posts under the title Marginalia. In these posts I’ll display and comment upon a page scan from one of my personal library books, on which I’ve doodled and/or underlined—or, as some would claim, otherwise defaced, a scared text (to the true bibliophile all text is scared). These folks, shocked by the desecration, predict (and seem to wish), that I will suffer some vile punishment for my transgressions. Copyright © 2008 Jim Sizemore.


Job Description

October 6, 2008

A Dialogue Doodle

Scene: The seafood counter of my local supermarket. I’ve just ordered a fresh trout for dinner and the clerk, a young man, is removing the head and tail.

Characters: Male Seafood Clerk; Female Produce Clerk. The Produce Clerk enters from stage left and speaks first.

Produce Clerk (to Seafood Clerk): Where’s Tishea at?

Seafood Clerk: Oh, she went and got another job—administrative assistant to some bigwig over at the YMCA.

Produce Clerk: Frosty! The girl can proper that.

Seafood Clerk: That’s right.

Produce Clerk: That Tishea—she can proper her act real fast.

The above text is a recreation of a snippet of conversation overheard by Your Faithful Blogger. What intrigued me about the exchange were two words I had not heard used in this way before. It took me a while to figure out that in this case “frosty” was meant as an intensifier, becoming “cool”-squared. And “proper,” an adjective, becomes a verb indicating Tishea’s ability to act out any role she’s given—and doing so in ways my dictionary defines as, “Displaying exaggerated propriety or gentility.” This small slice of grammatical time has been slightly edited and/or expanded, and rendered in script form for your reading pleasure.

Copyright © 2008 Jim Sizemore.


Today’s Gag

October 3, 2008

To purchase reprint and/or other rights for this cartoon, buy a framed print, or have it reproduced on T-shirts, mugs, aprons, etc., visit the CartoonStock website by clicking the sidebar link.

Copyright © 2008 Jim Sizemore.


Today’s Gag

October 2, 2008

THE CONSULTANT

To purchase reprint and/or other rights for this cartoon, buy a framed print, or have it reproduced on T-shirts, mugs, aprons, etc., visit the CartoonStock website by clicking the sidebar link.

Copyright © 2008 Jim Sizemore.


Today’s Gag

October 1, 2008

To purchase reprint and/or other rights for this cartoon, buy a framed print, or have it reproduced on T-shirts, mugs, aprons, etc., visit the CartoonStock website by clicking the sidebar link.

Copyright © 2008 Jim Sizemore.


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