Hip Shots

December 24, 2010

Abstractions

By Whyndham Standing

(Click images for larger views.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise being to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames  exposed, the better the chances are that you’ll come up with something interesting—a related series that can be arranged as a post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click on these images for a larger view, and click the “Hip Shots” tag above for more examples. For another post in the series, tune in next Friday.

Copyright © 2010 Whyndham Standing.

Smooching the Mooch

October 13, 2010

By Jake Jakubuwski


Frankie was a gigolo. Mamie was the lady who supported Frankie. Frankie was twenty years younger than Mamie and Mamie was my mother’s aunt. Being just a kid, I didn’t know that Frankie was a gigolo. In fact, at the time, I didn’t know what a gigolo was. I only knew that he and Aunt Mamie were “together” and that Frankie spent a lot of time “stepping-and-fetching” for Mamie.

Frankie also had a lot of time (and Mamie’s money) to spend at the corner bar, and to buy supplies so he could do his “work”—fancy brushes, expensive oil paint, rolls of canvas to cut to size and attach to wooden rectangles. According to her, Frankie was an “artiste,” and she was going to make him famous. All Frankie needed was encouragement and the right break—and zero worry about where his art materials, meals and booze came from. What I don’t recall in those early years were pictures that Frankie actually painted—never mind the number of  dusty stretched canvas’ in their bedroom smeared with random colors. As far as I was concerned, there was nothing noteworthy about any of them—but what does a 13-year old boy know about art, right?

On a personal level (too personal, in my mind), Frankie insisted that I call him “Uncle Frankie” and he had a nasty habit of getting soused (most days by noon, sooner on Sunday) and when well-lit he’s say: “Come here and give Uncle Frankie a kiss.” Yuck! First off, I didn’t feel good about giving smooches to mooches—uncle, or not. Secondly, Frankie always smelled of last night’s beer, stale cigarette smoke, and some sort of embalming fluid he absolutely swore was an exotic, enticing cologne (attractive to Mamie at least). Finally, for me, just entering puberty, the idea of kissing a guy was simply revolting. Don’t misunderstand—except for his yucky compulsion to kiss the only other male in the house, Frankie never put a hand on me or made an improper advance. In fact, Frankie was a real part of our family. After all, he shared the bedroom of the lady who contributed the most to the rent and other expenses incurred by my grandmother, another aunt, and my mother—when my mother was around. So that gave him some stature in the pecking order. Unfortunately, I was at the tail end of the line, which made me fair game for Frankie’s boozy expression of affection.

I don’t know how Mamie and Frankie got together. One day Frankie was unknown to me and the next I had a new “uncle.” For some time it had not been uncommon for me go to bed on a Friday night and wake up Saturday morning with a stranger sleeping next to me. Just another barfly that came home with the crowd and spent the night. By way of explanation, and to make their presence more palatable, they were often introduced as “Your Uncle Fred from over near Laurel.” I had more Uncles and aunts then any kid for miles around (although I never woke up with an aunt in my bed!). But Uncle Frankie, it turned out, came to stay and become my smooching nemesis. And he was the mooch who (according to the family wisdom) was the cause of Mamie’s impending bankruptcy and future residency in the County Poor House.

I don’t remember the last time Uncle Frankie asked me for a kiss, or what finally happened to him. I had heard that as Mamie’s money began running out, he did too. Then, I heard he was in a detox unit. Six or eight years ago someone told me he had died. Mamie died nearly penniless in a two-room apartment in Eastport—just outside of Annapolis, Maryland. Over her bed hung a painting by Frankie—bold lines in primary colors and smears and splotches of the same tints. As an adult, I still couldn’t see the “art” in his work. But, as I say, what do I know? In any case, the painting wound up curbside awaiting a truck to take it to the dump. It seems to me that even the trash scavengers wouldn’t take the time to salvage the frame. I guess, when it came to art, they were as uninformed as me.

Several years later, My mother and two aunts were sitting around talking about Mamie and Frankie—those two had always been a favorite family topic—and the consensus was that it was Frankie’s fault Mamie died destitute, or nearly so. Translation: “There should have been some left for us!” My mother castigated that “damned gigolo” for taking everything Mamie had and giving her nothing in return.

I piped up and said: “But he did! He gave her hope. He gave her love and stability, at least for a while. He provided an older woman with whatever it was that she needed at the time. And in return Mamie gave Frankie a life-style he couldn’t manage on his own.” I wasn’t trying to defend Uncle Frankie so much as to just point out that it really does “take two to tango.” And Frankie and Mamie did—at least in the early years—really, truly do some fancy dancing!

So, finally, I’m now very happy to give him a little smooch for all that . . .

Copyright © 2010 Jake Jakubuwski.

Jake Jakubuwski spent nearly two decades as an active locksmith and door service technician. He has been writing physical security related articles since 1991. Seventeen years ago, Jake wrote his first article for the National Locksmith Magazine and has been their technical editor for fifteen years. Pure Jake Learning Seminars©, his nationally conducted classes, are designed for locksmiths and professional door and hardware installers. For more information, click the “Pure Jake” link in the sidebar blogroll and under the “business” label. (To locate more of Jake’s short pieces about growing up in the South Baltimore area, copy and paste—or type—his name into this blog’s sidebar window and tap “search.”)


Hip Shots

September 3, 2010

ComicCon Baltimore

By Christina Gay

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise being to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames  exposed, the better the chances are that you’ll come up with something interesting—a related series that can be arranged as a three-image post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click on these images for a larger view, and click the “Hip Shots” tag above for more examples. Tune in next Friday for another post in the series.

Copyright © 2010 Christina Gay.

My New Mailbox . . .

July 22, 2010

Why It Makes Those Sounds

By Jacquie Roland

Today, for some reason, I decided to redo my mailbox. (As if I don’t have enough other stuff to do.) However . . . When I came in to get out of the heat and have a cool drink, my phone rang. Not unusual. Except that I couldn’t find it. I could hear it, but . . . Well, as it turns out—in a fit of artistic madness—I had epoxied my live phone into the assemblage. (The old phone had dropped out of sight behind my work table.) And now my good Ma Bell is glued into the sculpture. Forever. *sigh* I guess it will just have to keep ringing until the battery wears out.

Copyright © 2010 Jacquie Roland.

This post was adapted from an e-mail I received yesterday from my friend Jacquie, who, as you can see, keeps very VERY busy in upstate New York. This 3-D doodle was too good—and the story of its creation ‘way too funny—to keep to myself. Click images for larger views.


Art Quote

July 9, 2010

“I always thought that one of the reasons why a painter likes especially to have other painters look at his or her work is the shared experience of having pushed paint around.”

Chuck Close, born July 5, 1940.


Today’s Gag

June 28, 2010

To purchase reprint and/or other rights for this cartoon, buy a framed print, or have it reproduced on T-shirts, mugs, aprons, etc., visit the CartoonStock website by clicking the sidebar link.

Copyright © 2010 Jim Sizemore.

Photo Quote

June 11, 2010

“I am just a middle-class farm boy from Dodge City and my grandparents were wheat farmers. I thought painting, acting, directing and photography were all part of being an artist. I have made my money that way. And I have had some fun. It’s not been a bad life.”

Dennis Hopper, 1936-2010


Photo Quote

May 28, 2010

“I guess I’ve shot about 40,000 negatives and

of these I have about 800 pictures I like.”

Harry Callahan, 1912-1999


Famous Artists Schools

May 7, 2010

On July 29, 2009 I did a post titled “Cartooning Lessons,” in which I described my experiences as a Famous Artists Schools correspondent student back in the early 1960s. The post featured my first FAS cartooning instructor, Randall Enos, who is now a famous illustrator and cartoonist himself. Somehow, Mr. Enos came across my little blog memoir, liked it, and in a comment suggested that I—but wait, let’s let him explain what happened next in his own words, which I copied from his blog post. If you’d like to check out the original Enos post, here’s the link: http://www.drawger.com/bigfoot/?article_id=9751

“Between 1956 and 1964 I worked at The Famous Artists Schools in the correspondence art school. I worked on the Cartoon Course. We would get a student’s assignment and put overlays on it and point out various “trouble” spots and sometimes re-draw the whole situation and then send a letter to accompany the crit. The letters were standard form letters (after all everybody would make the same “mistakes”) but we would “personalize” the letter by inserting certain words that applied specifically to the student’s particular picture. We had lessons on inking, heads, action etc.. There were 4 or 5 of us doing the lessons and we would bounce the student around between us so he or she would have the advantage of more than one point of view. I was the youngest, being hired at the ripeness of twenty years. The others were pretty much retired guys in their 60′s having had careers in the field. One of them had and continued to draw Popeye, another had worked on the Lone Ranger, another on Katzenjammer Kids, another on Captain Marvel Jr. and Captain Billy’s Whiz Bang and Playboy girlie cartoons etc..

“So . . . the other day I’m surfing the web and I come across a blog called “Doodlemeister”. The fellow that runs it named Jim Sizemore had a post where he, in great detail, described critiques of mine he had received when he was an FAS student. It was a trip down memory lane alright. He complained that I had always given him high grades and flattery when he really wanted tough criticism. He pointed out that my overlay comments were a little more to the point than my letters (form letters). I made a comment on his blog post and invited him, if he wished, to send me an assignment NOW and I would give him a free crit. He was 25 then and is in his 70′s now as I am. I promised him, in addition, that this time I definitely would not give him a good grade. Here then is my crit of his “assignment” because he took me up on it.” (Click images for larger views.)

The one disagreement I have with Mr. Enos’ critique is not visual but verbal—his suggested caption, making it about the mythical memory powers of elephants instead of cross-species relationships. In the writing process I considered the memory angle but quickly rejected it as too much the cliché. I  think the relationship idea is the more original—and funnier—choice.

Mr. Enos ended his blog post with these kind—and much too generous—words: “Y’know, the more I look at it . . . the more I like his cartoon better than mine.”

Copyright © 2010 Jim Sizemore.

Fort McHenry

May 5, 2010

Trees III

Copyright © 2010 Jim Sizemore.


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