R. I. P. Bill King

February 11, 2012

February 10, 2012


Hip Shots

February 10, 2012

Chatting With John

By Jim Sizemore

(Click images for larger versions.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise is to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames  exposed the better the chances are that you’ll come up with something interesting — a related series that can be arranged as a post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click the “Hip Shots” tag above for many more examples. This feature will appear most Fridays.

Copyright © 2012 Jim Sizemore.

Hip Shots

January 27, 2012

Flag Change VI

By Jim Sizemore

(Click images for larger versions.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise is to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames  exposed the better the chances are that you’ll come up with something interesting — a related series that can be arranged as a post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click the “Hip Shots” tag above for many more examples. This feature will appear most Fridays.

Copyright © 2012 Jim Sizemore.

Hip Shots

December 9, 2011

Flag Change V

By Jim Sizemore

(Click images for larger versions.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise is to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames  exposed the better the chances are that you’ll come up with something interesting — a related series that can be arranged as a post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click the “Hip Shots” tag above for many more examples. This feature will appear most Fridays.

Copyright © 2011 Jim Sizemore.

Ken “Florentine” Burns

October 3, 2011

Or, My Brush With Greatness

Some time back, I agreed to do a cartoon for a guy I knew who was a law enforcement ranger at Fort McHenry in Baltimore. The fort is where I walk most days and many of the rangers there know me pretty well, so it was no surprise when one of them asked for a favor. Almost immediately, though, I had second thoughts. I’m often asked  to do a “little cartoon” for some special occasion that turns out to be a time-consuming production, all done for nothing more than a “Thank you,” if that.

So, after giving it more thought, I decided that if I could come up with a cartoon that would somehow be pegged to the Ken Burns’ National Parks documentary series that had aired on PBS, I’d do it. My thinking was that if I’m going to go to all that effort as a favor for Ranger Chad, I should at least get a small return — a royalty of sorts — for the effort.  Once I had an idea that would fulfill both his needs and mine, I drew it up and uploaded a digital copy to my London distributor (Cartoonstock.com, see sidebar link). I also posted the image on my blog as a part of my Monday series of Gag Cartoons and forgot about it.

Then, on July 26, 2011, out of the Internet blue so to speak, I got the following email:

Hello, this is Chris Darling of Ken Burns’ office, Florentine Films. Ken would love to own the original of the Ranger Chad cartoon to display in his office, and was wondering if you’d be interested in trading the original for a collection of his films.  Is this something you might be interested in?

Christopher Darling
Assistant to Ken Burns

Thinking that the “collection” Mr. Darling mentioned might include Prohibition,  the latest documentary by Ken Burns and Lynn Novik, which I knew was scheduled to air in early October, I quickly agreed. Here’s my email reply:

I’m delighted that your boss would like to have the original of the Ranger Chad cartoon and would happily trade for it, except that no “real” original exists — only a digital version completed by me from a rough draft scanned into my computer. However, if Ken would like to have a high resolution digital copy of the finished art, inscribed to him and signed and dated by me, I’d be more than pleased to oblige.

Sincerely, Jim Sizemore

They agreed, and after I completed the cartoon print (see above) and mailed it, I once again had second thoughts. This time what bugged me was my lame dedication — “For Ken Burns with best wishes.” I thought that Mr. Burns, given his vast accomplishments, deserved much better. Perhaps something along the lines of “For Ken ‘Florentine’ Burns with great respect,” etc., etc. But having rushed to get the cartoon in the mail, I resigned myself to the fact that it was just another missed opportunity. Then, a few days later, I got an email from Mr. Darling saying, in the nicest way possible, that someone on his staff found a misspelling. (Check the above image again if you missed it.)

Long story short, as red-faced as I was for having made the mistake (“setting” instead of “sitting”), I was at least happy for another chance to get the dedication right. I made the correction, rewrote the dedication, signed the cartoon print and sent it back to Mr. Darling at Florentine Films. A few days later my collection of Ken Burns’ DVDs arrived in a large box via UPS. I was impressed with the resulting 21 inch stack (above), which I figured must include every documentary he ever made — except, I noted with dismay, Prohibition. Oh well, I guess it’s all about timing.

Prohibition by Ken Burns and Lynn Novik is currently airing on PBS (October 2, 3 and 4). And I’m sure it’ll be repeated many times in most markets. Don’t miss it, it’s really good.


Kurt Vonnegut On Playwriting

September 28, 2011

Adapted from: It May Not Make History, But That’s Not The Point

By Kurt Vonnegut, The Los Angles Times, October 24, 2004

People ask me in these crazy times if I, like so many others, am writing a play that might influence the course of American history in the coming years, a la “Uncle Tom’s Cabin.” I have replied that no work of art can do that nowadays. It would be nice if one could, but forget it.

I wrote my play “Happy Birthday, Wanda June” in the 1960s, when another unpopular war, now generally acknowledged as having been cruelly nonsensical, in Vietnam, was going on. But the timing was purely coincidental. My inspiration wasn’t the My Lai massacre or the bombing of Cambodia or whatever, but my having just read about the homecoming of the hero Odysseus after an absence of many years, as described by Homer so humorlessly in his “Odyssey” nearly 3,000 years ago. Not exactly news of the day.

When my play was first produced in 1970 . . . . the Viet Nam war still going on and making more people than ever die . . . But I did not imagine for as much as a nanosecond that my burlesquing of blustery, blowhard tellers of war stories like Odysseus, or to some extent like Ernest Hemingway, would have the slightest effect on history . . . .  All I wanted then, and all I want now, whenever my play is revived, is that actors and a small audience, about 200 people . . . have a good time for 90 minutes or so.

Wherever I teach creative writing . . . I have never mentioned the possibility of changing the world for the better by means of a work of art. What I have tried to teach instead is sociability: how to be a good date on a blind date; how to show a total stranger a good time; or, if you like, how to run a nice restaurant or whorehouse. The same would have been my main lesson had I been teaching jazz.

What “Happy Birthday, Wanda June” confirms, I hope, is that contrary to Homer’s Odysseus, a war hero or hunter, a killer, is not the most glorious sort of person imaginable. Nor is it right, as Homer and Greeks of his time evidently believed, for a man to regard a woman, save for a witch or a siren, as an obvious inferior, as his God-given servant and property.

Has “Happy Birthday, Wanda June,” written 35 years ago now, become dated? It surely has in this way: One of the leading characters is a vacuum cleaner salesman. There really used to be such people, and they made good money too. Selling Electroluxes was the way my big brother Bernie put himself through MIT, all the way to a PhD. And then he went on to discover that silver iodide particles can make it snow or rain sometimes.

This is one in a series that will post  on Wednesdays. If you’d like to read more about what people like Sam Shepard, Harold Pinter, Joyce Carol Oates and other famous — and not so famous — playwrights have to say about the art and craft of writing and directing plays, type “On Playwriting” into the small sidebar window and tap the “Search” button.


Hip Shots

May 27, 2011

Flag Change

By Jim Sizemore

 (Click images for larger views.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise is to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method the more frames  exposed, the better the chances are that you’ll come up with something interesting—a related series that can be arranged as a post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click the “Hip Shots” tag above for more examples. And for another post in the series, check in next Friday.

Copyright © 2011 Jim Sizemore.

Hip Shots

March 11, 2011

A War Movie

By Jim Sizemore

(Click images for larger views.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise being to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames  exposed, the better the chances are that you’ll come up with something interesting—a related series that can be arranged as a post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click on these images for a larger view, and click the “Hip Shots” tag above for more examples. For another post in the series, tune in next Friday.

Copyright © 2011 Jim Sizemore.

Moving George

March 2, 2011

This is the first in a series of occasional Wednesday posts designed to document the construction of the new Fort McHenry Visitor Center. Early in the process, the statue of George Armistead, which stood on the east side of the old visitor center, pictured directly below, was dismantled and moved to a location just south and east of the new building’s site.

(Click images for larger views.)

Dismantle

Born on April 10, 1780, in Caroline County, Virginia, George Armistead was one of five brothers, all of whom later served in the War of 1812. On May 18, 1813, while serving as an artillery officer at Fort Niagara, New York, he took an active part in the American attack on Fort George across the Niagara River in upper Canada and was accorded the honor of delivering the captured British flags to President James Madison. On his taking command of Fort McHenry in June 1813, Armistead ordered a flag made “so large that the British will have no difficulty in seeing it from a distance.” He earned his enduring place in American history under that flag at Fort McHenry whose stalwart defense of Baltimore against British attack in 1814 inspired Francis Scott Key to write “The Star-Spangled Banner.” Armistead remained in command of the fort until his untimely death at age 38 on April 25, 1818. He is buried in Old St. Paul’s Cemetery, Baltimore, Maryland.

Move

The company contracted for the complicated task of moving the George Armistead statue, Lorton Stone, of Springfield, Virginia, is family owned and operated, with a history in the stone business that runs back several generations. It was obvious they took extreme care — and pride — in the project. Their work history involves everything from the renovation of the Washington Monument to construction of marble lobbies in commercial buildings. They have the experience and skill to tackle any project related to stone masonry, from historical restoration to marble mosaics. For more information about Lorton Stone, click on the sidebar link under the “Business” tab.

Reassemble Base

Place Statue

Complete Move

Copyright © 2011 Jim Sizemore.

Today’s Gag

February 21, 2011

To purchase reprint and/or other rights for this cartoon, buy a framed print, or have it reproduced on T-shirts, mugs, aprons, etc., visit the CartoonStock.com website by clicking the sidebar link.

Copyright © 2011 Jim Sizemore.

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