Hip Shots

December 9, 2011

Flag Change V

By Jim Sizemore

(Click images for larger versions.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise is to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames  exposed the better the chances are that you’ll come up with something interesting — a related series that can be arranged as a post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click the “Hip Shots” tag above for many more examples. This feature will appear most Fridays.

Copyright © 2011 Jim Sizemore.

Hip Shots

November 25, 2011

On The Bus II

By Whydham Standing

(Click images for larger versions.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise is to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames  exposed the better the chances are that you’ll come up with something interesting — a related series that can be arranged as a post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click the “Hip Shots” tag above for many more examples. This feature will appear most Fridays.

Copyright © 2011 Whyndham Standing.

Hip Shots

October 28, 2011

Wind

By Jim Sizemore

(Click images for larger views.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise is to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames  exposed the better the chances are that you’ll come up with something interesting — a related series that can be arranged as a post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click the “Hip Shots” tag above for many more examples. This feature will appear most Friday’s.

Copyright © 2011 Jim Sizemore.

Hip Shots

June 3, 2011

Flag Change II

By Jim Sizemore

 (Click images for larger views.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise is to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method the more frames  exposed, the better the chances are that you’ll come up with something interesting—a related series that can be arranged as a post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click the “Hip Shots” tag above for more examples. And for another post in the series, check in next Friday.

Copyright © 2011 Jim Sizemore.

Hip Shots

May 27, 2011

Flag Change

By Jim Sizemore

 (Click images for larger views.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise is to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method the more frames  exposed, the better the chances are that you’ll come up with something interesting—a related series that can be arranged as a post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click the “Hip Shots” tag above for more examples. And for another post in the series, check in next Friday.

Copyright © 2011 Jim Sizemore.

Hip Shots

March 11, 2011

A War Movie

By Jim Sizemore

(Click images for larger views.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise being to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames  exposed, the better the chances are that you’ll come up with something interesting—a related series that can be arranged as a post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click on these images for a larger view, and click the “Hip Shots” tag above for more examples. For another post in the series, tune in next Friday.

Copyright © 2011 Jim Sizemore.

Moving George

March 2, 2011

This is the first in a series of occasional Wednesday posts designed to document the construction of the new Fort McHenry Visitor Center. Early in the process, the statue of George Armistead, which stood on the east side of the old visitor center, pictured directly below, was dismantled and moved to a location just south and east of the new building’s site.

(Click images for larger views.)

Dismantle

Born on April 10, 1780, in Caroline County, Virginia, George Armistead was one of five brothers, all of whom later served in the War of 1812. On May 18, 1813, while serving as an artillery officer at Fort Niagara, New York, he took an active part in the American attack on Fort George across the Niagara River in upper Canada and was accorded the honor of delivering the captured British flags to President James Madison. On his taking command of Fort McHenry in June 1813, Armistead ordered a flag made “so large that the British will have no difficulty in seeing it from a distance.” He earned his enduring place in American history under that flag at Fort McHenry whose stalwart defense of Baltimore against British attack in 1814 inspired Francis Scott Key to write “The Star-Spangled Banner.” Armistead remained in command of the fort until his untimely death at age 38 on April 25, 1818. He is buried in Old St. Paul’s Cemetery, Baltimore, Maryland.

Move

The company contracted for the complicated task of moving the George Armistead statue, Lorton Stone, of Springfield, Virginia, is family owned and operated, with a history in the stone business that runs back several generations. It was obvious they took extreme care — and pride — in the project. Their work history involves everything from the renovation of the Washington Monument to construction of marble lobbies in commercial buildings. They have the experience and skill to tackle any project related to stone masonry, from historical restoration to marble mosaics. For more information about Lorton Stone, click on the sidebar link under the “Business” tab.

Reassemble Base

Place Statue

Complete Move

Copyright © 2011 Jim Sizemore.

A South Baltimore Christmas

December 1, 2010

Jealousy-Free Memories

By Jake Jakubuwski

For some reason I have no childhood recollection of the aromas of holiday cakes, cookies and pies filling our house with mouth-watering scents that drew me to the kitchen to sneak a taste of the latest treat from the oven. That was the sort of Christmas scene they showed in the movies and on that new thing called television. Nor do I recall a fir tree standing in our “front” room decorated with tinsel and strung with lights. I’m pretty sure that from time-to-time there must have been a tree and tinsel at our house — and perhaps even twinkling lights — but I just can’t remember them. In general, my personal recollections of Christmases in South Baltimore are, at best, sparse. Yet, on the other hand, for some reason I do recall “gifts” that I received at Christmas: a scarf to keep my throat warm; a pair of mittens to keep my hands toasty; a woolen cap that I could pull down over my ears on icy days while I walked to school or played outside. But there were no bicycles, roller skates, wagons or board games in the offing. Whatever I received was something I needed — practical, everyday stuff that was, as I recall, very much appreciated.

I don’t remember how old I was when I stopped believing in Santa Claus, but I do remember one year when, as winter set in, I told my mother that I wanted a pair of galoshes and she said: “We can’t afford them. Maybe Santa will bring you a pair.” I don’t remember what I got instead, if I got anything at all, but I do remember feeling disappointed with Santa, and perhaps that’s when I began to at least doubt his existence. A friend, who has followed some of my other childhood adventures on this blog, has encouraged me write about what Christmas meant to a young boy in a South Baltimore family of limited means, so here you have it. So, what do I remember about those early, materially scant Christmases? Well, snow, for one thing. I remember the streets covered in white and kids whooping and hollering as they belly-flopped on their new sleds. I remember them shooting their cap guns and never running out of ammunition. I recall other kids trudging around in the deepest snow banks to show off their new galoshes — gloating because their shoes didn’t get wet. All Christmas gifts, as I remember.

My most vivid memories of Christmas in South Baltimore are of the week or two leading up to the holiday: Grownups hurrying from one store to another in the shopping area around Cross and Light Streets, all of them carrying huge bags filled with gifts and gaudy decorations for their homes; I remember Salvation Army bands playing Christmas carols and other charity workers standing by their red kettles ringing bells to entice donations from passersby; mostly I remember the various Santa’s (who knew there was more than one?) standing on street corners with their own bells and buckets, soliciting pocket change to help feed and dress the poor. I remember buying a hot dog with all the “fixin’s” for a dime in Cross Street Market, and a vendor who gave me a hard pretzel and said “Happy holidays!” I also remember selling newspapers and every so often someone giving me a nickel or dime tip, and wishing me a Merry Christmas.

On more than one Christmas Eve I remember marveling at how many people were scurrying for streetcars, hurrying home for the holiday. I remember passing the local bars as revelers came out shouting greetings to their friends. Peering inside, I saw the Christmas decorations supplied by the beer companies (Mostly American, National and Arrow beers) glittering on the walls and over the bars. I remember the smell of beer and wine and cigarettes wafting out of the doors, along with the sound of Christmas music from the juke boxes, and how, when the doors closed the cacophony of carols and the vociferous celebration of the bar’s patrons was muted to a dull buzz.

And, finally, after more than sixty years, I can still remember the silence in the streets the day before The Big One, as snow fell (as it always does in my black and white soft-focus memory), covering South Baltimore in a crisp blanket that seemed to give all it sheltered an alabaster sheen to purify us each and everyone for Christmas day in the morning.

Jake Jakubuwski spent nearly two decades as an active locksmith and door service technician. He has been writing physical security related articles since 1991. Seventeen years ago, Jake wrote his first article for the National Locksmith Magazine and has been their technical editor for fifteen years. Pure Jake Learning Seminars©, his nationally conducted classes, are designed for locksmiths and professional door and hardware installers. For more information, click the “Pure Jake” link in the sidebar blogroll and under the “business” label. To locate more of Jake’s short blog pieces about growing up in the South Baltimore area, copy and paste—or type—his name into the sidebar search window and tap “search.”)

Copyright © 2010 Jake Jakubuwski.

Hip Shots

October 29, 2010

Neighborhood Dawgs II

By Jim Sizemore

(Click images for larger views.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise being to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames  exposed, the better the chances are that you’ll come up with something interesting—a related series that can be arranged as a three-image post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click on these images for a larger view, and click the “Hip Shots” tag above for more examples. For another post in the series, tune in next Friday.

Copyright © 2010 Jim Sizemore.

Hip Shots

October 22, 2010

Walkers

By Whyndham Standing

(Click images for larger views.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise being to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames  exposed, the better the chances are that you’ll come up with something interesting—a related series that can be arranged as a three-image post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click on these images for a larger view, and click the “Hip Shots” tag above for more examples. For another post in the series, tune in next Friday.

Copyright © 2010 Whyndham Standing.

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