Today’s Gag

September 30, 2008

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Copyright © 2008 Jim Sizemore.

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An Avenue of Fire

September 29, 2008

The Great Cross Street Market Conflagration

(Click photograph to enlarge.)

On May 19, 1951, most of the Cross Street Market in South Baltimore burned to the ground, and the one third or so of the structure left standing was gutted. The fast moving blaze left Cross Street between Light and Charles Streets a pit of smoldering rubble. To my young eyes (I was 13 at the time), the aftermath looked like what I’d seen in movie newsreels of bombed-out European cities during World War II. The above newspaper photo shows the area on the morning after the fire. Firemen’s ladders are at the roof of the community hall, top right.

In 1951 I sold newspapers near the east entrances to the market, on the corner of Light and Cross Streets. The newsstand was in front of a bank, the roof of which can be glimpsed jutting into the bottom right corner of the photo. (There’s still a bank on that corner, which I use.) I often took my supper at one of the snack counters in the market, and my family, like most who lived in South Baltimore in those days, did their shopping there and in area stores. Then, as now, the commercial district in South Baltimore was arranged in the shape of a capital “I,” with Light Street being the top (east) horizontal bar, and Charles Street the bottom (west) and the market itself forming the long vertical down the middle of Cross Street. Then, unlike now, the market was constructed of wood and was anchored on the Charles Street end by a two-story brick community hall. On Saturdays police blocked traffic from Cross Street on either side of the market so merchants could set up temporary outside stalls. The market doubled in size on those days and there was as much activity outside the long, low shed as within. First light found sellers unloading trucks of fruits and vegetables and piling crates of fish, baked goods and poultry on the sidewalks. They posted signs, arranged displays, shouted orders to their employees and greetings to their competitors. Soon the shoppers began gathering from every direction, funneled into the market area by the narrow neighborhood streets. It was beautiful scene—teeming and festive—like a huge block party.

Early that Saturday morning in 1951—around 1:30 A.M.—the market night watchman discovered the fire. The flames had already consumed most of a wall just above a row of overflowing refuse cans in the fish market end of the building. The watchman ran to the fire firebox at the corner of Charles and Wyler Streets and sounded the alarm. “By the time I got back,” he was quoted in a newspaper interview as saying, “almost the whole thing was gone.”

When the fire started I was at home asleep. My older brother woke me and we ran the four blocks from our rented home at 807 William Street to the spectacle. We watched as the flames raced along the recently tarred roof of the block-long market building like an enormous fuse. The tar bubbled and popped as it heated and turned first to liquid, then to acrid black smoke, which blanketed the area and reduced visibility to less that 20 feet at times, depending on the breeze. I noticed that the blaze cast an eerie orange glow against the smoke and low clouds. Soon we heard a loud explosion on the south side of the market and all the electrical and telephone lines in the area went dead. My brother said it was a transformer blowing up in the intense heat. Sparks and small pieces of burning material flew through the air and landed on residential and commercial buildings south of the market. Homeowners were on their roofs pouring water on small fires. By 3 A. M., the flames had dropped down into the market building and within minutes the roof caved in, the walls collapsed, and Cross Street became an avenue of fire.

Flames from the upper floor of the community hall, a large 1871 Italianate Revival-style building, with arched windows and fancy brickwork, shot halfway across Charles Street toward the Garden Theater. Salvage Corps members entered the hall to drag out sleeping men who used the building as a flophouse. (In those pre-politically-correct days we called men who drank too much and slept wherever “winos” and smoke hounds.”) Rats, also occupants of the burning structure, deserted their nests and scampered through police lines and disappeared up dark alleys and into sidewalk crevices.

By dawn the fire was extinguished. According to the news reports, it had taken 12 alarms and hundreds of firefighters manning 70 pieces of equipment over six hours of furious activity to do the job. There were no deaths, but six firemen, one policeman and at least three volunteers were injured. An estimated 100 people who lived on Cross Street between Marshal and Patapsco Streets were now among the homeless. Two hundred and forty-seven stall owners or operators were put out of business. The market was a complete loss, as were 13 buildings on the south side of Cross Street, and many others in the area were damaged by the intense heat, flames and water. Inspecting the rubble, the Food Control Department found and condemned 6,500 pounds of meat and dairy products spoiled by the fire. The fire actually destroyed tons more. Less than one ton of foodstuffs was saved—including a box of fish found under the debris. By some strange quirk, the ice preserving the fish had not melted. In an interview, Benjamin Taylor, who operated four meat stalls in the market, claimed to have lost all his Saturday stock plus $700 in cash. Only pennies remained, he said, and estimated his total losses at about $10,000. J. L. Harvey, operator of a butter-and-egg stall in the market for 69 of his 81 years without a vacation (“Now I’ve got a vacation,” he said, “and I don’t want it”), had about $60 in a wooden box in his stall. All he recovered was a handful of pennies, nickels and quarters, and a bunch of hard-cooked eggs still warm to the touch.

About half of the stall keepers found temporary business locations nearby, others set up curbside stands along Cross Street, and still others went out of business for the duration. The “duration” turned out to be 18 months to the day. On Saturday, November 19, 1952, Mayor Thomas D’Alesandro, Sr. (now better known as the father of Nancy Pelosi, Speaker of the House), witnessed by 20,000 celebrants—including my brother and me—dedicated the new steel and cinder block  Cross Street Market. Eventually a 10-year-old boy was found guilty of setting the multi-million-dollar blaze. In court the boy, a chronic delinquent who was later sent to the Maryland Training School for Boys, explained his behavior by saying, “Something just tells me to do it.”

An Avenue of Fire” was originally published in a slightly different form, and under a slightly different title, in the Baltimore Sunday Sun Magazine on May 11, 1980.

Copyright © 2008 Jim Sizemore.


Today’s Gag

September 27, 2008

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Copyright © 2008 Jim Sizemore.


Today’s Gag

September 26, 2008

To purchase reprint and/or other rights for this cartoon, buy a framed print, or have it reproduced on T-shirts, mugs, aprons, etc., visit the CartoonStock website by clicking the sidebar link.

Copyright © 2008 Jim Sizemore.


The E-Tower

September 24, 2008

What I Did On My Summer Vacation—In 1973

One thing I packed for my first (and so far only) international trip was my new camera, a Minolta 35 mm SLR (single lens reflex). The whole business of doing photography with such a sophisticated instrument, rather than my old Kodak Instamatic, was so strange to me at the time I had to refer to the manual whenever I attempted to use it. So I was careful to bring along the little white instructional booklet, too.

It was August, 1973, and I was on my way to Paris to meet my new girlfriend, having been introduced to her at a party the previous May. She was a schoolteacher out of class for the summer and living with her sister and her sister’s boyfriend (an Italian waiter the sibling had met in Rome), in a one-room apartment on the Left Bank. It was all very romantic, and the sisters’ were old hands at international travel, having made the European scene for several summers running. My girlfriend, with her knowledge of the country and her high school French would be my guide, or so I assumed. The tip-off that perhaps she wasn’t “in the know” so much herself was the fact that August was the month when well-off Paris residents abandoned the hot city, leaving it to hordes of low-end tourists. Actually, August was the only time most schoolteachers could afford to vacation in Paris. That was my situation, too, being a low-grade (in every sense) Visual Information Specialist at the Social Security Administration, one with child support payments to make.

As I boarded the Paris flight I promised myself that at no time during the eighteen days in France would I make a single “touristy” photograph of a famous monument, such as, for instance, the Eiffel Tower. If I did choose to photograph a popular site, I would figure out how to do it in a fresh way—as an abstraction, perhaps, or from a great distance framed by trees, or with something completely unexpected in the foreground, something ugly, like a wall plastered with handbills. The goal was to produce what on the surface appeared to be “bad” snapshots, but which in fact had required a lot of thought and would provoke an unexpected response in the viewer, a response at once intellectual and emotional. It wasn’t that (in “postmodern” lingo) I wanted so much to “deconstruct” the tourist snapshot—I doubt I knew the term back then—but I was determined to avoid committing that photographic sin of sins, the visual cliché. Of course all this was a tall order for an amateur photographer. Looking back, I now realize that rather than being a photographic trail-blazer I was simply a visual snob.

I was very young, though, and in love with love and at the same time passionately trying to master a new craft while in a new country where I didn’t speak the language and was completely dependent on my new girlfriend for even the basics, like food and lodging and where to find a bathroom. And after little more than two weeks of walking the streets of Paris, motoring through town after small town in Southern France and “making images” not “taking pictures” of cathedrals, castles rooftops and markets, I was homesick and more than ready to board the flight back to the U. S. I was also mildly depressed, having convinced myself even before I saw the processed slides that I had failed in my quest for a series of perfect “anti-travel” images.

It’s appropriate that this tale of misguided youth (but not misspent, since in retrospect I loved the experience) ends in irony. When my girlfriend asked me to pose for one last snapshot, I agreed, and of course she wanted the Eiffel Tower in the background. I’m too ashamed to show the resulting image, but at least that’s one creative sin which will be forever on her head, not mine.

“The E-Tower” is the first in a series of short travel-photo essays which will post on this site from time-to-time. (Click images for larger views.) Copyright © 2008 Jim Sizemore.


Their First Fight?

September 22, 2008

A Dialogue Doodle

The scene: A park bench, late afternoon. A very young couple (she with a serious expression, he looking distressed) are deep in conversation and oblivious to a man (me) passing by.

He: What can I say? I don’t know how to respond when you—

She (interrupting): Look, rather than have you guessing about what I’m thinking, I’d rather be up front and honest and tell you straight out what I’m observing about your behavior.

He: What? What did I do that was so—

She (interrupting): You know what I’m talking about. You do it all the time. Constantly. Constantly.

He: Huh?

The above text is a recreation of a snippet of conversation overheard on the fly. I find it intriguing because it suggests what may have gone before and what may follow. This slice of time has been slightly edited and/or expanded and put in script form for (I hope) your reading pleasure. Copyright © 2008 Jim Sizemore.


Today’s Gag

September 20, 2008

To purchase reprint and/or other rights for this cartoon, buy a framed print, or have it reproduced on T-shirts, mugs, aprons, etc., visit the CartoonStock website by clicking the sidebar link.

Copyright © 2008 Jim Sizemore.