Hip Shots

May 28, 2018

Mushroom

By Isao Oishi

These photographs were made on 5/12/18 in Sheperdstown, West Va.

Images copyright 2018 by Isao Oishi

Today’s Quote

May 17, 2018

“I’ve simply always lacked even the slightest religious impulse—when people talk about their faith, I can’t connect with what they’re talking about. This isn’t a decision I came to, or a deep belief or principle; I’m just religion-deaf, the way tone-deaf people hear sounds but not music. I suppose my religion is reading.”

AVID READER

By Robert Gottlieb


Hip Shots

March 19, 2018

Abstractions 2

By Jim Sizemore

The “Hip Shots” series of photographs feature images that were grabbed “on the fly” with little regard for framing or focus. The object of the exercise is to create dynamic images, not perfect ones.

Copyright © 2017 Jim Sizemore.

Today’s Quote

February 14, 2018
(Click image to enlarge.)

Hip Shots

August 28, 2017

Shapes 2

By Catherine Bruce

The “Hip Shots” series of photographs feature images that were grabbed “on the fly” with little regard for framing or focus. The object of the exercise is to create dynamic images, not perfect ones. With this shoot-from-the-hip method the more frames exposed, the better the chances are to come up with something interesting — a somehow related series that may be arranged as a blog post.

Copyright © 2017 Catherine Bruce.


Sam Shepard, R. I. P.

July 31, 2017

The following is one of seven blog posts that have appeared on doodlemeister.com featuring Sam Shepard talking about his craft over the years. To read all seven posts, type his name, including capital letters, into the search window off to the right.

Adapted from: The Pathfinder

By John Lahr, The New Yorker, February 8, 2010

Shepard-6The male influences around me (growing up) were primarily alcoholics and extremely violent. I listened like an animal. My listening was afraid.

I  just dropped out of nowhere. It was absolute luck that I happened to be there (NYC, 1963) when the whole Off-Off Broadway movement was starting. I think they hired everybody. It was wide open. You were like a kid in a fun park—trying to be an actor, writer, musician, whatever happened . . . . For me, there was nothing fun about the sixties. Terrible suffering . . . . Things coming apart at the seams.

I had a sense that a voice existed that needed expression, that there was a voice that wasn’t being voiced. There were so many voices that I didn’t know where to start. I felt kind of like a weird stenographer . . . . There were definitely things there, and I was just putting them down. I was fascinated by how they structured themselves.

When you write a play, you work out like a musician on a piece of music. You find all the rhythms and the melody and the harmonies and take them as they come  . . . . Break it all down in pairs. Make the pairs work together, with each other. Then make ’em work against each other, independent.

I preferred a character that was constantly unidentifiable . . . instead of embodying a “whole character,” the actor should consider his performance “a fractured whole with bits and pieces of character flying off the central theme,” . . . . to make a kind of music or painting in space without having to feel the need to completely answer intellectually for the character’s behavior.

Character is something that can’t be helped. It’s like destiny . . . . It can be covered up, it can be messed with, it can be screwed around with, but it can’t be ultimately changed. It’s like the structure of our bones, and the blood that runs through our veins.

(I was) dead set against revisions because I couldn’t stand rewriting . . . . (The plays) were chants, they were incantations, they were spells. You get on them and you go. Plays have to go beyond just working out problems. (They have to move) from colloquial territory to poetic country.

I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing, and endings are a disaster.


Hip Shots

March 8, 2017

Shapes

 

By Catherine Bruce

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Copyright © 2017 Catherine Bruce