To buy reprint and/or other rights for this cartoon, visit my archives at cartoonstock.com
To buy reprint and/or other rights for this cartoon, visit my archives at cartoonstock.com
The following is one of seven blog posts that have appeared on doodlemeister.com featuring Sam Shepard talking about his craft over the years. To read all seven posts, type his name, including capital letters, into the search window off to the right.
Adapted from: The Pathfinder
By John Lahr, The New Yorker, February 8, 2010
I just dropped out of nowhere. It was absolute luck that I happened to be there (NYC, 1963) when the whole Off-Off Broadway movement was starting. I think they hired everybody. It was wide open. You were like a kid in a fun park—trying to be an actor, writer, musician, whatever happened . . . . For me, there was nothing fun about the sixties. Terrible suffering . . . . Things coming apart at the seams.
I had a sense that a voice existed that needed expression, that there was a voice that wasn’t being voiced. There were so many voices that I didn’t know where to start. I felt kind of like a weird stenographer . . . . There were definitely things there, and I was just putting them down. I was fascinated by how they structured themselves.
When you write a play, you work out like a musician on a piece of music. You find all the rhythms and the melody and the harmonies and take them as they come . . . . Break it all down in pairs. Make the pairs work together, with each other. Then make ’em work against each other, independent.
I preferred a character that was constantly unidentifiable . . . instead of embodying a “whole character,” the actor should consider his performance “a fractured whole with bits and pieces of character flying off the central theme,” . . . . to make a kind of music or painting in space without having to feel the need to completely answer intellectually for the character’s behavior.
Character is something that can’t be helped. It’s like destiny . . . . It can be covered up, it can be messed with, it can be screwed around with, but it can’t be ultimately changed. It’s like the structure of our bones, and the blood that runs through our veins.
(I was) dead set against revisions because I couldn’t stand rewriting . . . . (The plays) were chants, they were incantations, they were spells. You get on them and you go. Plays have to go beyond just working out problems. (They have to move) from colloquial territory to poetic country.
I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing, and endings are a disaster.
“I have known writers at this dangerous and tricky age to phone their homes from their offices, or their offices from their homes, ask for themselves in a low tone, and then, having fortunately discovered they were “out,” to collapse in hard-breathing relief. This is particularly true of writers of light pieces running from a thousand to two thousand words.”
My Life and Hard Times
Preface to a Life
The Princess and the Cobwebs
By Jim Sizemore
There once lived a King in a castle high on a hill overlooking rich farmlands and forests. The King owned everything as far as the eye could see. His peasants labored from sunup to sundown growing his crops, tending his flocks and carefully breeding his livestock. The King, a more-or-less fair man, as absolute rulers go, allowed the peasants to keep a reasonable share of their earnings. So, as peasants go, they were more-or-less happy.
But the King had recently become terribly unhappy. Some years before the time of this story, his wife the Queen had died. The King then shifted all of his love and attention to his only child, and the beautiful young girl became his obsession. For a time, his focus on her was enough to keep the King perfectly happy. But then she changed, as children always do; the once sunny girl turned into a sullen, hyper-sensitive adolescent.
The King was distraught. He tried reasoning with his daughter, pleaded with her to tell him what the problem was so he could have it fixed. But his heightened concern only made matters worse. She became more and more distant, and soon refused to communicate with her father at all. The King was depressed. His work suffered. The lack of royal leadership was felt across the land. Crops failed. Taxes went uncollected. Battles with neighboring kingdoms over land rights and such were at first neglected, then lost by default.
As powerless administrative bodies often do, the King’s Court panicked. Dire interventions into the King’s business were considered by some of the younger court members. As young men often do, they even convened a secret meeting to plan a royal coup d’etat. When the Court Wizard heard about what was going on, he suggested a delaying tactic to head off an uprising. The Princess would be handed over to him for a complete physical, mental and spiritual evaluation. The King agreed, despite that doing so amounted to admitting that the Royal Blood had become tainted. A cover-up story was concocted and the exam scheduled. Despite attempts to keep things quiet, the scandal leaked, and it soon became obvious to even the lowest peasant that their King was a desperate man, not unlike the most common of his subjects.
In time the report came back and was duly translated from arcane medical jargon into the King’s English. It stated that the only unusual finding was a heretofore unheard of condition, caused by No-One-Knew-What. Small cobweb-like fibers, with the tensile strength of steel, were growing in the girl’s ears. The good news: their progress appeared to be very slow. Even so, the condition limited the social life of the princess. For one thing, the sprouts effected her balance. She walked with an erratic gate, couldn’t run or jump, and her favorite pass time, dancing, was out of the question. The Wizard explained that all this angst seemed to account for the Princess’ bad behavior; it was, he declared, enough to unsettle anyone. The Wizard’s report ended with an apology. He confessed that he had already tried all of his magic tricks, and nothing had worked. Therefore, as good fake doctor’s do, he recommended taking a “wait-and-see” attitude.
The King was grateful that the Wizard had at least suggested his daughter’s problem, but he was not satisfied with the passive approach. In better days The King had been a man of action, and now he was once again inspired to draw upon that attribute. He instructed his Town Crier to issue a bold proclamation. The King decreed that any man who could free the Princess from her problem, and thereby restore her cheerful character, would be fixed for the span of his natural life—at least gold-coin-wise. Also, subject to the approval of the Princess, The King threw in the possibility of a marriage option.
Every eligible young swain in the Kingdom, every aging bachelor, every social-climbing-son-of-a Duke, applied to have a go at solving the mystery. Some of the men were crude in their approach, as we know men can be, especially when in competition for the hand of a rich and beautiful young woman. Several tried outlandish physical humor: standing on their heads and spinning while juggling three balls. Others took the subtle approach, bombarding her with terrible puns and corny jokes. Then there were the totally clueless ones who attempted to melt the fibers by whispering sweet nothings into her ears. Alas, none of it worked, and the Princess grew only more awkward and ill-tempered.
The King was desperate. Finally the bachelor son of the court sheep herder came forward. This was most unusual. As a rule, a commoner would not dare to think that he had anything to offer one so high-born. But to this sheepherder-in-training, known in the kingdom as Max the Talker, no such self-effacing idea had ever occurred. From birth, Max had shown unusual self-respect, a natural sense of entitlement, so to speak. On the day of his application appointment with Her Highness at the Castle, he showed up perfectly relaxed, head erect, back straight, smiling sweetly.
After just one session with Max the Talker, the King noted an improvement in his daughter. For the first time in three years, she actually smiled. And she asked for permission to see Max again, which of course was granted. Thus it came to be that Max the Talker was allowed to spend one hour each afternoon with the Princess. At first they met in her chambers, chaperoned by her Ladies in Waiting. For the next six months they spent the hour talking about subjects of mutual interest on a wide range of subjects: history, music, clothes, books, food, dancing and suchlike. Max the Talker never mentioned the cobwebs, and neither did the Princess. Nevertheless, she continued to recover. Before long she demanded even more privacy, which the King was quick to allow. From then on the chamber door was locked from the inside, the couple now without adult supervision of any sort. With this new arrangement, it was obvious to everyone that the Princess’ rate of recovery had accelerated. She was becoming her old sunny self again.
The King was ecstatic. His work, such as it was, improved. The Peasants had never been better managed. The Kings’ soldiers once again became victorious in battle. Taxes were paid on time for the first time in three years. Quarterly reports indicated that the Royal financial house was in order, again showing profits for each quarter—and at rates higher than ever before. The Wizard, when he reexamined the Princess, was amazed: The “cobwebs” had vanished. This news was quickly reported to the King who, without hesitating, awarded Max the Talker the fortune in gold, plus his restored daughter’s hand in marriage. To the King’s surprise, and also to his relief, Max the Talker graciously declined the hand of the Princess. He used the golden windfall to buy a small farm, plus a huge herd of sheep, larger even than the King’s own.
As the months went by, and when not too busy with chores, Max the Talker was content to hang out with his many peasant friends, discussing this and that—anything they found conversation-worthy. In the evenings, he made notes in his journal. And best of all, he finally had enough free time to write at length, which had always been his passion. Max knew that he could never have been this happy as a member of the King’s Court, so he felt not the slightest twinge of regret. He and the Princess remained friends, and met from time-to-time for a longish chat. Eighteen months after the disappearance of her ear problem, the Princess met a handsome peer from a nearby Kingdom and fell in love. And that was that.
Max the Talker, meanwhile, staying true to his character, spent the rest of his days living just as he had always thought he would—happily ever after . . .
Copyright © 2016 Jim Sizemore
A Bat Tale from Poe and Me
“It was night, and the rain fell; and falling, it was rain, but, having fallen, it was blood.”
Well, not exactly, but I hope I now have your attention.
On a mid-August night this year, August 15, 2016, in fact, a fierce and sudden thunderstorm broke loose as I drove the four blocks home from the Giant food market, my thirteen-year-old Chevy wincing under squalls of violent wind and heavy rain. I parked outside my home and waited in dread: was death more certain if I sat in my car (under an 80 year old sycamore whose branches sometimes fall in storms) or if I ran into the house (across my porch, whose ornamental iron fencing was sure to attract a lightning bolt)?
So, yes, “there are moments when, even to the sober eye of Reason, the world of our sad Humanity may assume the semblance of a Hell.”  In this particular hellish moment, I decided to make a run for it, from car to porch in the driving rain, as my heart beat wildly—and, I hoped, not for the last few times. Fingers clutching my house key, my body shaking at the encircling bolts of lightning and claps of thunder, battered by a strong wind from the north, I unlocked the heavy oaken door. And was blown inside.
As I entered, I felt a spooky, indeed ungodly, flutter of wind above and around me. Scenes of Young Frankenstein (Marty Feldman’s Igor, in particular) flitted through my mind, but I put those aside. Enter I did and happy I was, finally safe in my sturdy little home. I put away the groceries and, after that, enjoyed an extended phone talk with my daughter-in-law. I then turned off the large lamp, leaving on only a small one, and turned on the television, wanting to find Rachel Maddow defending all things good and right, a beacon of hope on this stormy night. As I did, a flutter appeared at the very edge of my vision, indeed at its outermost edge. Was there a large black moth in the room, or did I just imagine it? Or was it something else? Was there something—or was there nothing? Stay with me here, reader. “Nervous — very, very dreadfully nervous I had been and am; but why will you say that I am mad?”
Within the space of no more than ten seconds, I saw that flutter turn into a broadly winged creature: a bat! (So that was the spooky movement I’d felt above me as I’d entered the house! The flimsy creature was blown inside, as was I, both victims of an evil storm.) It fluttered near, then disappeared, then fluttered back again, and disappeared again, into the unlit back rooms of the house. “Deep into that darkness peering, long I stood there, wondering, fearing/Doubting, dreaming dreams no mortal ever dared to dream before,“ so I grabbed a large broom and opened the front door, because I’d heard that was the way to purge one’s home of bats. But it was not to be. Once I even thought the accursed creature had left, so I closed and bolted the door, only to find it dipping and soaring around me a few seconds later. I was becoming quite agitated, and even may have cried out: “Take thy beak from out my heart, and take thy form from off my door!” But predictably, “quoth the raven, bat, ‘Nevermore.’ “ 
Surely a call to my sister in California would help, I thought (because “the ingenious man person is often remarkably incapable of analysis” ), so I dialed her up and told her my story. Alas! Its telling was interrupted by my repeated shrieks, as the bat looped around me, its trumpery and deplorable self constantly mocking me. At times I could even hear a humiliating chuckle emanate from its mouth. All this and more I bore that despicable night. “The thousand insults of Fortunato the bat I had borne as best I could, but when he ventured upon insult I swore revenge.”  I decided it was time to call out the cavalry: I would call 911! So I said good night to my sister. This next call would surely save me: Nine. One. One.
Me: “There’s a bat in my house and I can’t get it out. Could you send firemen out to remove it?” Visions of First Responders courageously rushing to my doorstep, bringing survival for me and death for the monstrous creature, filled my deteriorating mind; I could almost “Hear the loud alarum bells/Brazen bells!/ What a tale of terror, now, their turbulency tells!”
911 Operator: “Firemen? Absolutely not. They don’t do that. I’ll send out a police officer.” (?) And she did. Not one but two. It was 10:30 p.m. by now, close to the end of their shift, and evidently, though I live in Baltimore, they had time on their hands. We talked and joked; I offered them coffee; we even looked for the bat sometimes, but never did we see it. Their visit was a nice relief, but pointless—except that one of them suggested I call City Animal Control the next day, because they were closed at that time. (I would learn later that Animal Control was on duty 24/7 and should have been sent to my house that night by the 911 Operator.)
That was all on Monday. On Tuesday I called Animal Control. A nice man showed up, rather quickly, bearing a large net and an air of confidence, but the bat was in full hiding mode. Yet it flaunted to me its continued existence by leaving its “droppings” for the next two nights (yes, they look like mouse droppings). I slept uneasily each night, and the stress started to mount. Friends kept me company; some brought me nets and hats to wear, others (tall ones) came to search for the bat in the higher regions of my cupboards and windows. But little did it help and shockingly, “I grew, day by day, more moody, more irritable, more regardless of the feelings of others. I suffered myself to use intemperate language.”  (This was not me!) On Wednesday, the Baltimore City Health Department (alerted by Animal Control) called to say I must run, not walk, to the nearest hospital E.R. to start a series of rabies shots, for “you’ve been living with a bat for three days!” My own primary care physician also insisted—and so, reluctantly, I started the shots. It was the week from hell, as I rotated trips to the hospital with trips home, where I donned a large-brimmed hat and clutched wooden tennis rackets (all hurriedly acquired at Goodwill—see accompanying photo). Verily it must be said that increasingly “I became insane, with long intervals of horrible sanity.” 
Friends helped a great deal, in fact two of them insisted I not sleep at home and invited me to stay with them, which I did. But, sadly, once I overheard one saying to the other: “I was cautious in what I said before the young lady; for I could not be sure that she was sane; and in fact, there was a certain restless brilliancy about her eyes which half led me to imagine she was not.” (I told myself this “restless brilliancy” might be blamed on the rabies shots, but even I doubted that.) Things got worse as the universe began to conspire against me and for the bat. Whenever I turned on the t.v., there were bat movies on the screen. Whenever I answered the phone, friends and relatives reported unending stories of bats: bats in washing machines in Pittsburgh; bat bites in bedrooms in Baltimore and apartments in Texas; bat infestations in colonial homes in Connecticut; a bat birth in a bath tub in Belfast, Maine. Bat. Bat. Bat.
It was all becoming too much, so that “then there stole into my fancy, like a rich musical note, the thought of what sweet rest there must be in the grave.” I have been able to reject that thought so far, ever hopeful that truth and goodness still exist (cf., Rachel Maddow), even in the midst of the 2016 American presidential campaign, wherein I have seen a Creature infinitely worse than any bat. It is now mid-October, and the bat has never been spotted again. Assuredly, I will find its dried-out corpse some day behind a major appliance or in a corner of my moldy cellar, next to the case of Amontillado. Gradually, hope and confidence have re-emerged in me, for I remind myself that “all that we see or seem is but a dream within a dream,” but dream or not, Hillary will crush The Donald.
And as “literature is the most noble of professions . . . and there is no seducing me from the path,” I hope you’ve enjoyed this bat tale wrought by a four-handed monster: Poe and me.
 Edgar Allan Poe, “Silence – A Fable”  Poe, “The Premature Burial”  Poe, “The Tell-Tale Heart”  Poe, “The Raven”  Poe, “The Raven”  Poe, “The Murders in the Rue Morgue”  Poe, “The Cask of Amontillado”  Poe, “The Bells”  Poe, “The Black Cat”  Poe, Letter to G.W. Eveleth, 1848  Poe, “The System of Dr. Tarr and Prof. Fether”  Bats are excellent for the environment, but not in my house!  Poe, “The Pit and the Pendulum”  Poe, “A Dream within a Dream” (poem)  Poe, Letter to F.W. Thomas, 1849
Copyright © 2016 Jo-Ann Pilardi.
Jo-Ann Pilardi is retired from Towson University where she taught Philosophy and Women’s Studies for 38 years. A working-class Italian from Pittsburgh, she moved to Baltimore in 1969 and was active in women’s movement groups through the 1970s. Currently, she teaches for TU’s Osher Institute, reads and writes, gardens, travels, and studies jazz piano.