Sam Shepard, R. I. P.

July 31, 2017

The following is one of seven blog posts that have appeared on doodlemeister.com featuring Sam Shepard talking about his craft over the years. To read all seven posts, type his name, including capital letters, into the search window off to the right.

Adapted from: The Pathfinder

By John Lahr, The New Yorker, February 8, 2010

Shepard-6The male influences around me (growing up) were primarily alcoholics and extremely violent. I listened like an animal. My listening was afraid.

I  just dropped out of nowhere. It was absolute luck that I happened to be there (NYC, 1963) when the whole Off-Off Broadway movement was starting. I think they hired everybody. It was wide open. You were like a kid in a fun park—trying to be an actor, writer, musician, whatever happened . . . . For me, there was nothing fun about the sixties. Terrible suffering . . . . Things coming apart at the seams.

I had a sense that a voice existed that needed expression, that there was a voice that wasn’t being voiced. There were so many voices that I didn’t know where to start. I felt kind of like a weird stenographer . . . . There were definitely things there, and I was just putting them down. I was fascinated by how they structured themselves.

When you write a play, you work out like a musician on a piece of music. You find all the rhythms and the melody and the harmonies and take them as they come  . . . . Break it all down in pairs. Make the pairs work together, with each other. Then make ’em work against each other, independent.

I preferred a character that was constantly unidentifiable . . . instead of embodying a “whole character,” the actor should consider his performance “a fractured whole with bits and pieces of character flying off the central theme,” . . . . to make a kind of music or painting in space without having to feel the need to completely answer intellectually for the character’s behavior.

Character is something that can’t be helped. It’s like destiny . . . . It can be covered up, it can be messed with, it can be screwed around with, but it can’t be ultimately changed. It’s like the structure of our bones, and the blood that runs through our veins.

(I was) dead set against revisions because I couldn’t stand rewriting . . . . (The plays) were chants, they were incantations, they were spells. You get on them and you go. Plays have to go beyond just working out problems. (They have to move) from colloquial territory to poetic country.

I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing, and endings are a disaster.

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Theater Notes

November 24, 2016
c-p-rev-83088(Click image to enlarge.)

With the help of Margaret Osburn’s Deepdene Writers’ Group, I’ve recently been working on the first draft of what I hope will be the third play in a trilogy. It’s called “Kitty.” The first play in the series, “Cecil Virginia, 1964,” was produced by the Baltimore Playwrights’ Festival in 1985. (Click City Paper 8/30/85 review, above). The second play, featuring Kitty’s violent husband and his male friends, titled “Joe Pete,” was produced by the BPF in August, 1999, some fourteen years after the first one. As of this date, it’s been over 16 years since play number two appeared on a local stage. Assuming I manage to finish the third play in a year or two—and assuming I’m lucky enough to have it produced—I’ll have proved that in addition to my many other theatrical limitations, I’m one very slow writer of dialogue.


Today’s Gag?

July 15, 2016

TRUMP:BlogClick image to enlarge. (This is a repost from 3/22/16) To buy reprint rights for this cartoon, visit my archives at cartoonstock.com, and jantoo.com. You may also have this cartoon reproduced on mugs, t-shirts and other products. Here’s the link: http://www.zazzle.com/

Copyright © 2016 Jim Sizemore.

Today’s Gag

May 28, 2016

Lives:BlogClick image to enlarge. To buy reprint and/or other rights for this cartoon, visit my archives at cartoonstock.com, and jantoo.com. You may also have this cartoon reproduced on mugs, t-shirts and other products. Here’s the link for that service: http://www.zazzle.com

Copyright © 2016 Jim Sizemore.

Today’s Gag

January 29, 2016

1601:Water-BlogTo buy reprint and/or other rights for this cartoon, visit my archives at cartoonstock.com, and jantoo.com. You may also have this cartoon reproduced on mugs, t-shirts and other products. Here’s the link: zazzle.com/mugtoons/products

Copyright © 2016 Jim Sizemore.
Thanks to Florence Newman for this cartoon idea.