Sam Shepard, R. I. P.

July 31, 2017

The following is one of seven blog posts that have appeared on doodlemeister.com featuring Sam Shepard talking about his craft over the years. To read all seven posts, type his name, including capital letters, into the search window off to the right.

Adapted from: The Pathfinder

By John Lahr, The New Yorker, February 8, 2010

Shepard-6The male influences around me (growing up) were primarily alcoholics and extremely violent. I listened like an animal. My listening was afraid.

I  just dropped out of nowhere. It was absolute luck that I happened to be there (NYC, 1963) when the whole Off-Off Broadway movement was starting. I think they hired everybody. It was wide open. You were like a kid in a fun park—trying to be an actor, writer, musician, whatever happened . . . . For me, there was nothing fun about the sixties. Terrible suffering . . . . Things coming apart at the seams.

I had a sense that a voice existed that needed expression, that there was a voice that wasn’t being voiced. There were so many voices that I didn’t know where to start. I felt kind of like a weird stenographer . . . . There were definitely things there, and I was just putting them down. I was fascinated by how they structured themselves.

When you write a play, you work out like a musician on a piece of music. You find all the rhythms and the melody and the harmonies and take them as they come  . . . . Break it all down in pairs. Make the pairs work together, with each other. Then make ’em work against each other, independent.

I preferred a character that was constantly unidentifiable . . . instead of embodying a “whole character,” the actor should consider his performance “a fractured whole with bits and pieces of character flying off the central theme,” . . . . to make a kind of music or painting in space without having to feel the need to completely answer intellectually for the character’s behavior.

Character is something that can’t be helped. It’s like destiny . . . . It can be covered up, it can be messed with, it can be screwed around with, but it can’t be ultimately changed. It’s like the structure of our bones, and the blood that runs through our veins.

(I was) dead set against revisions because I couldn’t stand rewriting . . . . (The plays) were chants, they were incantations, they were spells. You get on them and you go. Plays have to go beyond just working out problems. (They have to move) from colloquial territory to poetic country.

I hate endings. Just detest them. Beginnings are definitely the most exciting, middles are perplexing, and endings are a disaster.


Today’s Quote

July 14, 2017

“I have known writers at this dangerous and tricky age to phone their homes from their offices, or their offices from their homes, ask for themselves in a low tone, and then, having fortunately discovered they were “out,” to collapse in hard-breathing relief. This is particularly true of writers of light pieces running from a thousand to two thousand words.”

James Thurber

My Life and Hard Times

Preface to a Life


Today’s Quote

June 12, 2017

“Orwell would have despised Trump as a kind of fat, dumb, uneducated oligarch,” Ricks said last month in a podcast produced by the magazine Foreign Policy. “Churchill would  see America as somewhat childish. We occasionally stumble and elect a childish president, and that’s what we’ve done here, but Churchill would also appreciate how robust the American government is. Basically, we’ve had a decapitation strike that we executed ourselves. We no longer have a working presidency. There’s nobody at home, mentally, running the U.S. government. And guess what? It runs pretty well by itself. Probably better. If President Trump were competent, he’d be much more dangerous.”

Thomas E. Ricks, N.Y.T. Book Review, June 11, 2017


Today’s Quote

May 2, 2017
CLICK ESSAY TO ENLARGE.

Today’s Quote

April 13, 2017

“Historical mythmaking is made possible only by forgetting. We have to begin, then, with the first refusal to face reality: most colonizing schemes that took root in seventeenth- and eighteenth-century British America were built on privilege and subordination, not any kind of proto-democracy. The generation of 1776 certainly underplayed that fact. And all subsequent generations took their cue from the nation’s founders.”

Quote from page 5 of the Introduction to White Trash.

Today’s Quote

January 11, 2017

ta-nehisi“The pursuit of knowing was freedom to me, the right to declare your own curiosities and follow them through all manner of books. I was made for the library, not the classroom. The classroom was a jail of other people’s interests. The library was open, unending, free.”

Ta-Nehisi Coates

Between the World and Me

Spiegel & Grau, New York


Today’s Tale

December 13, 2016

The Princess and the Cobwebs

By Jim Sizemore

Chapter One

king-1-lowrezThere once lived a King in a castle high on a hill overlooking rich farmlands and forests. The King owned everything as far as the eye could see. His peasants labored from sunup to sundown growing his crops, tending his flocks and carefully breeding his livestock. The King, a more-or-less fair man, as absolute rulers go, allowed the peasants to keep a reasonable share of their earnings. So, as peasants go, they were more-or-less happy.

But the King had recently become terribly unhappy. Some years before the time of this story, his wife the Queen had died. The King then shifted all of his love and attention to his only child, and the beautiful young girl became his obsession. For a time, his focus on her was enough to keep the King perfectly happy. But then she changed, as children always do; the once sunny girl turned into a sullen, hyper-sensitive adolescent.

Chapter Two

The King was distraught. He tried reasoning with his daughter, pleaded with her to tell him what the problem was so he could have it fixed. But his heightened concern only made matters worse. She became more and more distant, and soon refused to communicate with her father at all. The King was depressed. His work suffered. The lack of royal leadership was felt across the land. Crops failed. Taxes went uncollected. Battles with neighboring kingdoms over land rights and such were at first neglected, then lost by default.

princess-2-lowrezAs powerless administrative bodies often do, the King’s Court panicked. Dire interventions into the King’s business were considered by some of the younger court members. As young men often do, they even convened a secret meeting to plan a royal coup d’etat. When the Court Wizard heard about what was going on, he suggested a delaying tactic to head off an uprising. The Princess would be handed over to him for a complete physical, mental and spiritual evaluation. The King agreed, despite that doing so amounted to admitting that the Royal Blood had become tainted. A cover-up story was concocted and the exam scheduled. Despite attempts to keep things quiet, the scandal leaked, and it soon became obvious to even the lowest peasant that their King was a desperate man, not unlike the most common of his subjects.

wiz-king3-lowrezIn time the report came back and was duly translated from arcane medical jargon into the King’s English. It stated that the only unusual finding was a heretofore unheard of condition, caused by No-One-Knew-What. Small cobweb-like fibers, with the tensile strength of steel, were growing in the girl’s ears. The good news: their progress appeared to be very slow. Even so, the condition limited the social life of the princess. For one thing, the sprouts effected her balance. She walked with an erratic gate, couldn’t run or jump, and her favorite pass time, dancing, was out of the question. The Wizard explained that all this angst seemed to account for the Princess’ bad behavior; it was, he declared, enough to unsettle anyone. The Wizard’s report ended with an apology. He confessed that he had already tried all of his magic tricks, and nothing had worked. Therefore, as good fake doctor’s do, he recommended taking a “wait-and-see” attitude.

Chapter Three

crier4-lowrezThe King was grateful that the Wizard had at least suggested his daughter’s problem, but he was not satisfied with the passive approach. In better days The King had been a man of action, and now he was once again inspired to draw upon that attribute. He instructed his Town Crier to issue a bold proclamation. The King decreed that any man who could free the Princess from her problem, and thereby restore her cheerful character, would be fixed for the span of his natural life—at least gold-coin-wise. Also, subject to the approval of the Princess, The King threw in the possibility of a marriage option.

Every eligible young swain in the Kingdom, every aging bachelor, every social-climbing-son-of-a Duke, applied to have a go at solving the mystery. Some of the men were crude in their approach, as we know men can be, especially when in competition for the hand of a rich and beautiful young woman. Several tried outlandish physical humor: standing on their heads and spinning while juggling three balls. Others took the subtle approach, bombarding her with terrible puns and corny jokes. Then there were the totally clueless ones who attempted to melt the fibers by whispering sweet nothings into her ears. Alas, none of it worked, and the Princess grew only more awkward and ill-tempered.

Chapter Fourprincess-max5-lowrez

The King was desperate. Finally the bachelor son of the court sheep herder came forward. This was most unusual. As a rule, a commoner would not dare to think that he had anything to offer one so high-born. But to this sheepherder-in-training, known in the kingdom as Max the Talker, no such self-effacing idea had ever occurred. From birth, Max had shown unusual self-respect, a natural sense of entitlement, so to speak. On the day of his application appointment with Her Highness at the Castle, he showed up perfectly relaxed, head erect, back straight, smiling sweetly.

After just one session with Max the Talker, the King noted an improvement in his daughter. For the first time in three years, she actually smiled. And she asked for permission to see Max again, which of course was granted. Thus it came to be that Max the Talker was allowed to spend one hour each afternoon with the Princess. At first they met in her chambers, chaperoned by her Ladies in Waiting. For the next six months they spent the hour talking about subjects of mutual interest on a wide range of subjects: history, music, clothes, books, food, dancing and suchlike. Max the Talker never mentioned the cobwebs, and neither did the Princess. Nevertheless, she continued to recover. Before long she demanded even more privacy, which the King was quick to allow. From then on the chamber door was locked from the inside, the couple now without adult supervision of any sort. With this new arrangement, it was obvious to everyone that the Princess’ rate of recovery had accelerated. She was becoming her old sunny self again.

Chapter Five

king-6-lowrezThe King was ecstatic. His work, such as it was, improved. The Peasants had never been better managed. The Kings’ soldiers once again became victorious in battle. Taxes were paid on time for the first time in three years.  Quarterly reports indicated that the Royal financial house was in order, again showing profits for each quarter—and at rates higher than ever before. The Wizard, when he reexamined the Princess, was amazed: The “cobwebs” had vanished. This news was quickly reported to the King who, without hesitating, awarded Max the Talker the fortune in gold, plus his restored daughter’s hand in marriage. To the King’s surprise, and also to his relief, Max the Talker graciously declined the hand of the Princess. He used the golden windfall to buy a small farm, plus a huge herd of sheep, larger even than the King’s own.

As the months went by, and when not too busy with chores, Max the Talker was content to hang out with his many peasant friends, discussing this and that—anything they found conversation-worthy. In the evenings, he made notes in his journal. And best of all, he finally had enough free time to write at length, which had always been his passion. Max knew that he could never have been this happy as a member of the King’s Court, so he felt not the slightest twinge of regret. He and the Princess remained friends, and met from time-to-time for a longish chat. Eighteen months after the disappearance of her ear problem, the Princess met a handsome peer from a nearby Kingdom and fell in love. And that was that.

Chapter Six

Max the Talker, meanwhile, staying true to his character, spent the rest of his days living just as he had always thought he would—happily ever after . . .

talker-7-lowrez

                               Copyright © 2016 Jim Sizemore