By Florence Newman
My twenty-five-year-old nephew James, who lives in Olympia, Washington, had never been to nearby Nisqually National Wildlife Refuge, so while I was visiting him in August, we drove out to walk the Estuary Trail and see what there was to see. Part of the refuge had previously been a farm: Farmer Brown (yes, really) had drained the land for cultivation by building dikes to keep out the waters of Puget Sound. In 2009, the dikes were torn down, allowing the brackish water to seep back in and creating a variety of natural habitats.
As we walked the out-and-back trail, we passed through grassland, marsh, and finally a barren waste of mud and shallow pools, punctuated by dead trees, their branches bone white and stretched sideways and skyward, like half-sunk skeletons imploring aid. James said the scene reminded him of a World War I battlefield. I had been thinking of Tolkien’s Mordor or the Dead Marshes, which were said to have been inspired by the author’s experience in the Great War, so we were on the same page, sort of. The last, long portion of the trail was a boardwalk supported by pilings out over the muck, and along it were interpretive placards, picturing and describing the different bird species we’d be likely to spot around us. With my aging vision, I wasn’t seeing much of anything, except for some distant grey blots that could have been geese.
At lunch earlier, James and I had been talking about Pokémon Go, the online game that is all the rage, where players use their smartphones to view and “capture” virtual creatures that pop up in assorted locations chosen by the game’s programmers, often local landmarks or public buildings. On a whim, I said, “I wonder if there are any Pokémon out here.” “I’ll check,” said James, pulling out his phone. After a few seconds, he smiled. “You know that placard back there, the one about the ducks? Well, there was a Flibbertigibbet sitting on it” (he didn’t say Flibbertigibbet, of course, but one of those equally silly made-up names given to the range of Pokémon characters). Maybe the Pokémon Go phenomenon is a good thing, if it gets people—especially young people—off their duffs and into the great outdoors. Still, the game makes unreal beings appear in places they don’t actually exist. That’s assuming one has the right equipment—a smartphone—to see them. Why hunt for something that isn’t there?
Towards the end of the boardwalk, little rivulets of tidewater from the Sound began to meander among the muddy plateaus, and the boardwalk itself curved closer to a spruce-covered shore, before ending in an octagonal pavilion looking out toward Puget Sound. Our surroundings started to seem less of a dead zone and more of a living realm, with ducks that paddled amid the moving glitter of sunlit streams and with a Great Blue Heron (finally a bird I could identify!) stalking minnows in the shoals, its shoulders hunched about its head in that way that always reminds me of Richard Nixon.
The pavilion had more interpretive placards explaining what could be seen in each direction and a big metal telescope affixed to the floor and meant to rotate, although it did so grudgingly and only within a limited range. For me, the device merely made blurry images blurrier. I was embarrassed to admit to James how few kinds of birds I could see, here in the beating heart of the wildlife sanctuary: with his keen young eyes he was no doubt taking in all those terns and teals that the placards told us were out there.
We were still at the gazebo, me squinting hopelessly first one way and then the other, when a group of guys approached down the boardwalk. There were four of them, middle-age men dressed in greens and browns—one of them in a khaki kilt, of all things, showing his hairy legs—and they were strapped and belted with gear, satchels and leather sheaths and binoculars. Best of all, however, they were carrying tripods that, when unfolded, turned out to be telescopes. Birdwatchers! They were truly Serious Birders, as became obvious as they immediately began ticking off the names of species as they sighted them—“Caspian terns on the left,” “A pair of dunlins,” “Sandpipers, mostly Western, but a few Leasts”—all in a casual, matter-of-fact tone (Serious Birders apparently don’t squeal and and jump up and down when they identify a specimen, at least not in the presence of other Serious Birders). I still wasn’t seeing much, but now I had a better idea of where to look.
One of the birdwatchers, the bearded one, mentioned an abandoned eagles’ nest on the forested shore. I must have blurted out, “Oh! Where?,” because the next minute he was pointing out which spruce and which side and which branch. When I remained oblivious, he trained his telescope on the nest and had me look through the scope at the ragged platform of interlaced sticks and tree limbs balanced high up in the spruce. The birder informed me sagely that the young eagles had fledged and flown some weeks earlier, and ( just to prove I wasn’t a complete idiot) I ventured a comment about the two bald eagles (George and Martha) that frequent our property on the Chesapeake Bay. Soon another of the men was showing James through his telescope an osprey perched on a stump at the edge of the Sound. Afterwards, I got my chance, standing on my tippy-toes so that he wouldn’t have to lower the scope to my child-like height. As I did so, I noticed a cell phone attached over the telescope’s lens, allowing him to take digital photos of what appeared, capturing proof that he’d really seen a bird when he added its name to his Serious Birder’s Life List.
Another party was making its way out the boardwalk toward the pavilion, this one including some actual children, so I suggested to James that it was probably time for us to be heading home. As we put the broad expanse of the estuary behind us—terns, teals, dunlins, osprey and all—I considered how lucky we were that those knowledgeable and generous birdwatchers had come along when they did. Another thought struck me: There could be real beings—in this case, real birds—existing in a particular place but not immediately apparent unless one has the right equipment—a functional telescope—to see them. What to call this phenomenon? Reverse Pokémon Go, maybe.
Florence Newman is professor emerita at Towson University, where she taught in the English Department for 27 years. A specialist in Middle English literature, she has published and delivered conference papers on Chaucer, the Gawain-Poet, and medieval women writers. She grew up in Blacksburg, Va., reading books in her parents’ library and eating strawberries from her grandfather’s garden. She currently lives with her husband in Towson, Md., escapes occasionally to their farm on Virginia’s Eastern Shore, and travels farther afield when time, energy, and finances permit.
Copyright © 2016, Florence Newman
I saw the bird pictured below two days ago at Fort McHenry, in Baltimore, Maryland. New to me, it must be way out of its normal range. If you know more about why it’s showing up around here, or in North America at all, please leave a comment below. Thanks.
(Click image to enlarge.)
|Native range of A. aegyptiaca|
Egyptian geese were considered sacred by the Ancient Egyptians, and appeared in much of their artwork. They have been raised for food and extensively bred in parts of Africa since they were domesticated by the ancient Egyptians. Because of their popularity chiefly as ornamental bird, escapes are common and small feral populations have become established in Western Europe.
Read more at Wikipedia.
Sun Flares III
By Jim Sizemore
(Click images for larger versions.)
The “Hip Shots” series of photographs will feature images that were grabbed “on the fly,” with little or no regard for framing and focus. The object of the exercise is to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method the more frames exposed, the better the chances are that you’ll come up with something interesting — a related series that may be arranged as a post. If you’d like additional tips for using the technique, or to submit your own images, drop a question or note in the “Leave a Comment” section, below. This feature will appear most Fridays.
Copyright © 2011 Jim Sizemore.
Dinner is over. I’ve washed the dishes and read the paper and watched the news on television. Now I’m sitting on my balcony looking straight out at lush treetops. It’s dusk, and a cawing crow alights on a branch in front of me. Its cries are a mighty effort even for such a large bird, and its wings recoil with each shout-out. Soon, a second crow as big as the first one lands on a wire very near the first, then a third settles on a telephone pole several yards away. The first two are mates. I know all three, having watched them now for many sun-downs. They look identical, but I recognize their interactive behavior. For a beat or two the second crow eyes the antics of the original screamer, then takes up the cawing game. Quickly, the third crow follows suit. The first time I saw this crew I remember wondering what the bond between them amounted to. Are the two merely a couple? Is the single one an offspring, returned to live — so to speak — at home? Is the furious caterwauling some sort of family argument? Or perhaps a jealous complication created by a complex domestic arrangement? Interesting, I think, how my lonely thoughts create personifications.
Minutes pass. The sun is well below the horizon and my crows have disappeared from view. I suppose they’ve gone to their nests or caves or whatever for the night. The sky continues its slow darkening. The last trace of orange streaks the western horizon. One by one all sound abandons the evening, every distant warble. For twenty minutes or more there is no movement or noise near my balcony — just early evening stillness.
For a long time I’m in a dreamy trance, then I notice a rapid movement at the edge of my vision. Wings are once again propelling in the cool night. Another “friend” of mine, a bat, has emerged to feed on night bugs. It flies directly at me, then veers into a steep diagonal climb, then swoops down and darts sharply in the opposite direction. I watch its stunting display and wonder: Does it have a mate? Is that sharp ticking noise a coded message, or simply sonar? Before I have time to think again my tiny messenger is lost in the black sky.
Copyright © 2011 Jim Sizemore.
Birds of Florida
By Isabel Perl
(Click images for larger views.)
The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise being to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames exposed, the better the chances are that you’ll come up with something interesting—a related series that can be arranged as a post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click on these images for a larger view, and click the “Hip Shots” tag above for more examples. For another post in the series, tune in next Friday.
Copyright © 2011 Isabel Perl.
For me, the interesting thing about this picture is what you can’t see—and, perhaps, just as importantly, what you can’t hear. On a trip last fall to visit relatives in my home town, I spent two nights in Lexington, Virginia, which is 40 miles east of my destination. When I’m down that way, I camp in Lexington because it’s a small town situated in a beautiful spot just off I-81, in the gentle foothills where the Shenandoah Valley narrows between the Blue Ridge and Alleghany Mountains. There are lots of things to see and do nearby, in contrast to where I come from, which is also situated in a beautiful area much deeper into the mountains. My birthplace is a depressed (and for me, somewhat depressing) paper mill town very near the West Virginia line. Lexington, being a university town (Washington and Lee, Virginia Military Institute), has all the amenities that come with that, including many good restaurants. It’s a wonderful destination and not just a stopover. On my first evening there this trip, while killing time before dinner, I wandered around town with my new digital point-and-shoot camera and soon found myself in the graveyard in which “Stonewall” Jackson is buried. The historic site is in a residential area on Main Street, just a few blocks south of the business district.
I shot several pictures in the graveyard, but the one above is my favorite. I love the way the late afternoon light comes through the silhouetted trees and creates those long shadows, the darker edges of the image framing some of the gravestones. Of course I was thinking about that when I composed the picture, and that’s also when a sort of eerie-beautiful event took place. As I stood there (and I stayed in that one spot for at least five minutes), a large flock of crows began to swoop in and out between the trees, caw-cawing the whole time as they cavorted. I had seen this sort of “happy hour” bird behavior before during the “golden hour” just before sunset, a favorite time of day, it seems, for birds, photographers and cinematographers. But I had never witnessed it in quite so dramatic a setting and with such loud sound effects. (Imagine being in the middle the gathering-of-the-birds scene in that Hitchcock movie, but experiencing it as pleasant rather than threatening.) This may have been the only time while out and about photographing when I wished that I had video instead of a still camera. Another disappointment: I had hoped to catch a bird perched on the foremost gravestone, but no luck. Not one bird landed while I was there, and even if it had I doubt I would have been quick enough to capture the image. You see, I was still a pretty slow photographer at that point, consulting the instruction book for just about every move I made with my new camera.