Hip Shots

October 7, 2011

Mantis

By Jim Sizemore

(Click images for larger views.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise is to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames  exposed the better the chances are that you’ll come up with something interesting — a related series that can be arranged as a post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click the “Hip Shots” tag above for many more examples. This feature will appear most Friday’s.

Copyright © 2011 Jim Sizemore.

Prose Doodle

April 20, 2011

My Crows

Dinner is over. I’ve washed the dishes and read the paper and watched the news on television. Now I’m sitting on my balcony looking straight out at lush treetops. It’s dusk, and a cawing crow alights on a branch in front of me. Its cries are a mighty effort even for such a large bird, and its wings recoil with each shout-out. Soon, a second crow as big as the first one lands on a wire very near the first, then a third settles on a telephone pole several yards away. The first two are mates. I know all three, having watched them now for many sun-downs. They look identical, but I recognize their interactive behavior. For a beat or two the second crow eyes the antics of the original screamer, then takes up the cawing game. Quickly, the third crow follows suit. The first time I saw this crew I remember wondering what the bond between them amounted to. Are the two merely a couple? Is the single one an offspring, returned to live — so to speak — at home? Is the furious caterwauling some sort of family argument? Or perhaps a jealous complication created by a complex domestic arrangement? Interesting, I think, how my lonely thoughts create personifications.

Minutes pass. The sun is well below the horizon and my crows have disappeared from view. I suppose they’ve gone to their nests or caves or whatever for the night. The sky continues its slow darkening. The last trace of orange streaks the western horizon. One by one all sound abandons the evening, every distant warble. For twenty minutes or more there is no movement or noise near my balcony — just early evening stillness.

For a long time I’m in a dreamy trance, then I notice a rapid movement at the edge of my vision. Wings are once again propelling in the cool night. Another “friend” of mine, a bat, has emerged to feed on night bugs. It flies directly at me, then veers into a steep diagonal climb, then swoops down and darts sharply in the opposite direction. I watch its stunting display and wonder: Does it have a mate? Is that sharp ticking noise a coded message, or simply sonar? Before I have time to think again my tiny messenger is lost in the black sky.

Copyright © 2011 Jim Sizemore.

Today’s Gag

August 9, 2010
Copyright © 2010 Jim Sizemore.

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Today’s Gag

August 2, 2010

Copyright © 2010 Jim Sizemore.

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The Falconer Building

October 17, 2009

Bats, Bugs and Drunks

Miss Rita, the middle-aged woman at the desk next to mine, is asking personal questions. That’s something she does every night. I’m 22 years old and this is my first serious job since being FalconerBldgdischarged from the U. S. Army, two years ago. The inquiring Miss Rita and I are clerks in the Social Security Administration — I’m a new hire and she’s my trainer. We are working the 4:00 P. M. to 12:30 A. M. shift on the seventh floor of the Falconer Building at 414 Water Street in downtown Baltimore, two blocks from the harbor. The year is 1959, deep summer, and I’ve made a new friend.

The windows are open, three huge floor fans blowing at full power. If the temperature in the Falconer Building rises above 90 degrees, we’ll be sent home. This happens often during the day shift, less so after the sun goes down. Miss Rita and I sit in the cross-ventilation and flip SS-5 cards and scribble name and date-of-birth changes into huge metal-covered ledgers, delighted with each other’s company. Form SS-5(This photo of an actual Form SS-5 shows a Miss Apgar requesting that her name be changed to Mrs. Lake. Click images for larger views.)

The evening passes to the rhythm of turning pages: flip, flip, scribble, flip, flip, scribble, scribble, flip. Against the background of dirty brick walls scores of other clerks’ bend to the identical task. The oily aroma of Baltimore harbor wafts in the windows and, when the wind shifts, more pungent odors come from the nearby wholesale fish market. The whirring fans cool our necks and blow the occasional card from desk to floor — or out a window. The strange sound of bat wings flutter in one window and out another. There is a gentle rustling noise as rat’s forage for sandwich crumbs in waste baskets, and the buzzing of blood-sucking insects foraging for us.

At the moment, Miss Rita’s job is to introduce me to the mysteries of entry-level clerking in the Numerical Register Section of SSA — and, it seems, to trade work information for personal tidbits. With anyone else her intimate prying might be offensive, but, somehow — I guess because of her odd sense of humor — it’s just harmless fun. Miss Rita’s constant stream of chatter, spiced with sexy double meanings, makes the long evenings of repetitive work bearable. In fact, they are downright entertaining. Anyway, there is not much of a private life to expose — I ‘m still in the process of trying to develop one. Somehow I manage to keep Miss Rita interested by making up outrageous but plausible tales about my exploits. She seems to especially enjoy the lies (these days we might call them “creative non-fictions”) that I tell about the erotic adventures of my mother, a born-again Christian, who would have been shocked if she knew that her son used her straight-arrow life for creative inspiration. Perhaps Miss Rita identifies with my fictions because she and my mother are about the same age.

On my first night in the Falconer Building — one of several rental properties which comprise the original 1936posterSSA headquarters — Miss Rita gives me the grand tour. She points out the freight elevator which, she says, I can use at peak load times during shift changes, when the passenger elevator is often overwhelmed. She shows me the stairs and mentions in passing that they are handy because the freight elevator only goes to the 5th floor. She doesn’t comment on the empty booze bottles in the stairwell, nor does she explain the sleeping drunk. Our “cafeteria” is located by the elevator door on the 4th floor, Miss Rita says. That is, at 9 o’clock each evening an old man gets off the elevator and stands there selling cold sandwiches out of a large cardboard box. Finally, Miss Rita gives me a booklet explaining what is expected in terms of production and conduct. The publication also has a small map showing the location of the men’s room and fire exits. I can use the restroom anytime, Miss Rita says, provided it isn’t too often. “Two often” and it will reflect in my “rating,” whatever that is.

The Falconer Building is clean, at least compared to the steel mill in which I had worked prior to this job, and there is even a bit of external entertainment. As we young male clerks arrive early for the evening shift, we often gather to watch strippers sunbathing on the low roof of the nearby Gayety Show Bar, the keystone of Baltimore’s infamous “Block” of sleazy nightclubs clustered nearby. When the women are up there relaxing between shows we all go a little crazy. The younger clerks in the Numerical Register Section — male and female — are friendly, and I am quickly drawn into a sort of loose-knit social club. After our shift finishes at 12:30 A. M., few of us want to go home to bed — we’re still too primed with youthful energy — so most nights a meeting is called for a party or card game at someone’s home or apartment. Or we go out on a sort of group date, which usually involves bar-hopping, the only form of entertainment available at that hour. Some nights we simply cruise the city and talk until dawn at an all night diner. Often, I drop into bed at first light or later, sleep until two in the afternoon, then get up to start the work/play cycle again. Some of my new friends have been living this way for several years, but the fun will last only a few months for me. I have “EOD’d” (Entered On Duty) at the end of an era. The whole of SSA’s scattered downtown headquarters is scheduled to consolidate in a modern complex in the western suburbs of Baltimore in January of 1960, only a few months hence.

Well before we leave the city, though, it comes to pass that my social life is greatly enriched as a direct result of information provided by Miss Rita. She tells me that a particular young lady, another Numerical Register clerk, is interested in me beyond mere friendship, and before long I am involved in my first “adult” relationship. I reward Miss Rita by continuing my stories, now more fact than fiction, and much more titillating than ever. I even expand the scope of the tales to include many of my young and ever-horny (at least in my telling) coworkers. And I notice that Miss Rita’s interest in our escapades become more intense the closer I stick to real life, which I take as a literary lesson. So as I become a better clerk, I also sharpen my narratives. Miss Rita especially likes to hear my juiced-up versions of our nocturnal forays to various “hillbilly” bars and other hotspots around town, and the house parties that follow into the wee hours, many of them ending in sleep overs. These stories require scant embellishment.

All of this happened a half century ago, late summer until the end of 1959. I spent 29 years with the Social Security Administration, taking an early retirement in 1988. Not long after the SSA headquarters moved to the suburbs, I realized that I didn’t want to spend the rest of my life flipping pages and scribbling in ledgers, so I took advantage of the Korean G. I. Bill and enrolled in evening art classes. That led to a temporary job in SSA’s drafting department, which in turn got me through what I called “the back door” of their large art department —where my first assignment was to help produce the original Medicare Handbook. Living and working in the suburbs was O. K., but I never again had an experience quite so rich in character or characters, or that made such an intense impression on me, as those early nights in downtown Baltimore, flipping SS-5 cards and trading punch lines with Miss Rita.

Copyright © 2009 Jim Sizemore.

A much longer version of this personal essay was published in the October, 1978 issue of OASIS, a magazine distributed monthly to Social Security Administration employees nationwide.


The Last Dog

June 25, 2008

Short Fiction/Part Three

We listened to “Sky King” together on the big floor model radio in the living room, almost like a real family. Afterwards, Ronnie whined at Ted about when he planned to buy a television. He kept on and kept on. Pretty soon Alice and Ted got sick of him and sent us both to bed. No fair. To say goodnight, Alice kissed Ronnie on his cheek and patted me on the shoulder. No fair again, but I didn’t care. She made us swear we’d do our homework until lights out at ten o’clock. Before we were even out of the room Alice made Ted put his paper off to one side, so they could talk. That was a bad news for him. Up in Ronnie’s room I could tell he was in a mood, too, because the first thing out of his mouth was, “Know who’s a better artist than you, Andy?” When I didn’t say anything, he answered himself. “Betsy the chimpanzee.”

“Who says?”

“Ever’body.”

I stayed quiet and took my shoes and socks off. Ronnie already had his off and was spreading and un-spreading his toes for exercise. We always did our homework barefoot. Ronnie said, “Just because you’re the best favorite in Miss Laura’s art class, that don’t make you—”

“Am not.”

“Well,” Ronnie said, “anyway, that monkey is twice as better than you. Three times as better.” I could care less what Ronnie thought since I knew he didn’t know anything about art. Anyway, Betsy couldn’t draw, she just smeared finger paints around to make a mess. Ate more paint than she painted with. “Betsy’s the real genius,” Ronnie said.

“You read that in the News Post—same as me.” I could tell something else was on Ronnie’s brain. When he got bothered by whatever, Ronnie liked to fight me and he had to win, to show who was the boss. It was pitiful.

“Betsy had her pictures printed in Life magazine,” Ronnie said. “And where was yours?

I came back at him with a low blow: “Yeah, and how come your daddy don’t come home from work most nights anymore—huh, Ronnie?” Give back better than you get, that’s my motto. Why not? “Ain’t seen Ted at the dinner table with food in his mouth for days.

Ronnie gave out a puny, “Don’t care,” then he cried some. He used first one sleeve and then the other to wipe off tears and snot, then he shut down and stayed quiet for a long time.

After awhile I said, “Look, Ronnie, I didn’t mean to say that, what I said.” He kept on real quiet and pretty soon I caught on that he was staring at my bare feet. That was so creepy I quick pulled them up under me. “You shithead, Ronnie!”

“Your feet are so little,” he said, like it was the most natural thing in the world to say that. “I’ve got ’em memorized.”

“You know, Ronnie, you’re really one dumb fucker.”

“In case you come up hurt or dead, see?” Ronnie did a laughing snort. “Say one foot gets cut off and mixed in with a bunch of other feet, in a war, say—or a train crash? You’re laid up in the hospital delirious from pain. They go to sew your foot on and there’s a whole pile to choose from, but you’re in no condition to say which one? I’d know the one to point to.”

“They don’t sew stuff back on people that’s been cut off.”

“How about Frankenstein?” Ronnie waited to see if I saw some sense in that dumb statement, but I kept quiet. Ronnie kept at me. “Say you come up dead in the harbor, your head cut off. Hands and arms gone. What’s left for identification?”

“Feet and legs and—”

“Forget legs,” Ronnie said. “Legs are no good for identification—but feet, especially if someone swears they know them particular feet, that would work. You’d be easy, Andy, ’cause your feet are perfect and tiny.”

It took all I had to keep calm and not tell him where to shove his dumb idea. I just said, “Millions of people have little feet.”

“Not in South Baltimore.” Ronnie smiled. “One hundred, tops.”

“At least five hundred.”

“Not perfect-shaped like yours!” Ronnie gave me an oily grin that flipped my stomach. “Don’t worry, Andy, if something happens to you I’ve got ’em in my brain.”

“Ronnie, you best quit with that feet shit.”

“Even better—how about if your feet were a special color? Think about it. Blue, maybe! Blue is lucky. Yeah! If your feet were the only perfect blue feet in South Baltimore, why, anybody could identify ’em, assuming they knew Andy Givens had perfect tiny blue—”

“Screw you, Ronnie!”

“Let me paint ’em Andy!”

When he begged like that I first wanted to gag, but instead I just yelled, “Go to hell!” That was part fake, though, ’cause I was really mad and happy all at once. Ronnie was crazy—yeah—but in a good-bad way. He made it be really strange fun sometimes, us two living in that room.

Some nights Ronnie couldn’t go to sleep if he knew Alice’s tall glasses were mixed in with her short glasses. He’d wait until his folks were conked out and sneak downstairs and go through the kitchen cabinets. We whispered about stuff until we heard their snores. Ted was easy to spot because he snored big. Alice did tiny grunt sounds. When Ronnie got back from his kitchen raid he always saluted me like John Wayne and said, “Mission accomplished.” The next morning Alice would find her glasses in neat rows, arranged by height and color. She must have wondered how they got that way, but as far as I know she never let on. Ronnie did other crazy stuff, too. Like, that one night when he came in and went straight to his bed like he didn’t see me. He turned around five times and sat down. I kept my mouth shut. After awhile he got up and went to his closet and stood there, just faced the closet door, didn’t open it. It was like he sleepwalked over there. He waited awhile, then went back to his bed and turned around five times and sat down.

Finally I couldn’t help myself. “You must be crazy,” I said.

“Uh, uh—Huh?” Ronnie said it like I had just woke him up out of a dream.

“You’re nuts, Ronnie.”

“What?”

“Another thing is, you’re also a big pussy.”

“Take it back,” Ronnie said.

“Make me.”

“I will, Andy, I will.

“Yeah? You and who’s army?”

“The three of us,” He said. And of course I knew what came next. Sure enough Ronnie said, “Me, myself, and I.”

That was so lame. Sometimes Ronnie disgusted me too much to even bother with. “O. K.,” I said, “you win.”

“No, Andy—first take back what you said.”

“I do, Ronnie. I truly do take it back.”

“No, say, ‘You’re not a pussy, Ronnie.’”

“O. K., you’re not a pussy.”

“Say my name, too.”

“You’re not a pussy, Ronnie.

“Good thing, too,” he said. “That was just in time.”

Yeah, right, like what if I didn’t take it back? Ronnie was hopeless, so I gave up and shut up. The next morning, as per usual, I felt his sheets. So far the average for his sheets being soaked was five days out of seven. By the time Alice changed the beds each week all Ronnie’s piss had dried into yellow stains that overlapped and made rusty patterns—kind of pretty designs—light to dark and back again. Alice never let on and neither did Ronnie. Neither did I. That would have been just too mean.

One night I watched Ronnie with one of my eyes, the other one blocked by my pillow. I had been in the middle of a good dream about earwax when some kind of noise woke me up. Ronnie was on his bed by the window, moonlight behind him that made him look like a cutout. At first I didn’t move, kept my head down, half-stuck in the pillow. Ronnie sat still on his bed except when he swayed. He’d be still for five seconds—listening for who knows what?—then he’d do small rocking moves side to side. The sways were so tiny you could hardly tell. He’d rock side to side some and then sit like a statue, then do more moves. The house was quiet. I think I saw a bat go by the window, but maybe not—they’re so fast. Ronnie claimed bats were nighttime swallows that wouldn’t suck your blood. No matter what I heard about bats, I shouldn’t believe that, Ronnie said. “Trust me,” he said, “no bat will every drink a drop of your blood.”

Another night, Alice screamed from down the hallway and Ronnie glanced up from his jigsaw puzzle at the bedroom door, then back down. It was so split-second I almost didn’t catch him—one smooth action—just his eyes moving. That jigsaw was humongous. It had all the animals in some African jungle, plus grass and trees and bugs, and huge-beaked birds. Ronnie had the edges done on three sides and some on the last side. It was a big jaggie rectangle, empty in the middle. He pretended to work at it for five minutes—zero talk, just tiny whimpers—the same puzzle piece in his hand the whole time. Ronnie’s hand didn’t move. More time. Then Alice screamed again and grunted real big—then a bunch of grunts that went from high-pitched to low and then back up again real high. In the nighttime quiet her grunts came down the hall like a church bell. Ronnie still kept still. Then Alice laughed a big screeching laugh and Ronnie smiled but didn’t look up. Then his hand moved over the jigsaw like a helicopter and dropped the puzzle piece in exactly the right spot.

Part four of The Last Dog will post tomorrow.