Today’s Quote

March 28, 2015

From Mirages: The Unexpurgated Diary of Anaîs Nin 1939-1947

Edited by Paul Herron

Nin2“Every book I wrote has brought me new friends, new realms, opened new houses, new experiences. The imagination brings forth personages which lie in the obscure regions of our being. They come to the surface, take form, appear in the book. And then the answering personage appears. I am sure when (D. H.) Lawrence wrote Lady Chatterley that Lady Chatterley appeared. When I wrote about Lawrence, Henry (Miller) appeared, who was to represent the Sun for me, expansion and fertility. That is my own interest in writing, not to make a name, not to be exposed in libraries, or celebrated after death, but to create life, immediate life around me. I cannot go into new lives without my books. They are my boat and sail, my passport and map, my compass and telescope.”


My First Theatrical Poster

April 22, 2014

A Mini-Drama

For a time, from the mid 1980’s until the early 2000’s, I volunteered as a graphic designer at Fells Point Corner Theatre, a local community stage. My work included brochures, flyers and posters; the latter being my favorite thing to do. Over the years, it was a pleasure to collaborate with the FPCT staff, but my first poster concept was rejected out-of-hand. Here’s the rough design I submitted: Fool-SketchAt least one FPTC theatre board member said it was “too sexy.” Now, anyone who knows that particular Sam Shepard play, Fool for Love, would know it’s about carnal lust from start to finish, so I was surprised they were surprised by my attempt to come up with a dynamic visual equivalent for most of what goes on in the play—or at least what is suggested by the text.

In case you haven’t seen a production of the play or read the text, here’s the edited opening paragraph from a review of a production staged in Minneapolis: “Stories of forbidden love make up . . . the spine of works for the stage, for the obvious reason that raging, unbridled passion lends itself to a ripping drama. Fool for Love raises the stakes by tearing through a very particular taboo, and this . . . production captures a great deal of its intensity, desperation, and outright weirdness.” —Quinton Skinner, Minneapolis City Pages.

After some back-and-forth with the FPCT board of directors wherein I passionately tried to justify my original approach, I soon realized I had to comprise. Eventually we agreed on the final version you see below. And because the production was a success, and just about everyone liked the poster, I guess you can say it was a happy ending for most of those concerned.

To see more FPCT posters, click the tab at the top of this page.

Today’s Gag

September 13, 2013
1309-Lust-BlogCopyright © 2013 Jim Sizemore.

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One-Minute Memoir

May 8, 2013

Warren and Me

By Bob Fleishman

Warren Beatty

Walking up Madison Avenue in November of 1972, I spied what had to be two of the so-called “beautiful people” one often sees in New York City, standing on the corner just outside Georgio Armani’s. Both were wearing full-length fur coats and were disengaging themselves from what appeared to be a prolonged clinch. The woman could have just stepped out of a Vogue Magazine ad — beautifully coiffured black hair, perfectly formed features and bright red lipstick. The man also had beautifully coiffured black hair and perfectly formed features, but no lipstick.

It was Warren Beatty!

Stunned at first by coming upon such a sight, I quickly recovered and, not wanting to interfere with the couple’s sad parting, I continued toward my destination some blocks away. While waiting for the light to change at Madison Avenue and 58th streets, I happened to glance at the gentleman standing beside me.  That’s right, once again it was Warren himself.

I realized that since this was just before the Presidential Election of 1972, and I was a supporter of the Democratic nominee, I had to say something to this Hollywood Idol who was known for his intense political involvement. To my own surprise, considering how excited I was, I came up with something timely — and I thought, rather clever. “Where’s your McGovern button?” I said, proudly pointing to the round plastic McGovern badge featured prominently on my comparatively drab brown jacket. “Right here,” he quickly responded, opening his fur coat to reveal a solid gold McGovern button. Feeling that I was on a roll and could do no wrong, I came back just as fast, if not as strong. “That’s quite impressive,” I said. “You got me there.”

The light still hadn’t changed, so I gave it another shot. “I saw you on the Dick Cavett show last week. I thought you handled his questions very well.” (Cavett, the host of a popular TV talk show, had tried to pursue Beatty’s love life while Warren was attempting to steer the conversation to the issues of the campaign). The light finally turned green, and I expected Warren to just mumble something like “Thank you very much” or  another glib response and move on. But much to my surprise, he said, “Oh, really! Well, I didn’t think I did well at all. He just wouldn’t let me talk about what was important”

Incredibly, our talk about the campaign continued for another four or five blocks. But soon, because I had initiated the encounter, I felt compelled to be the one to end it. I picked my spot and said, “It was great chatting with you. Then — rather lamely I now think — my hoped-for big ending came out as, “Keep the faith!” Warren just nodded and smiled that mysterious smile of non-commitment that made women all over the world swoon. “Nice meeting you,” he replied, and was gone.

In my daze during the experience I had actually walked three blocks farther than intended, so engrossed in our conversation that I never noticed. And for the last forty-plus years, I’ve tried to think of a better punch line with which to end a conversation with Warren Beatty — just in case I do run into him again. Recently, in one of my daydreams, I’m at some social function  and, sure enough, there he is across the crowded room. I saunter over and say, “So, Mr. B, we meet again!!!”

Copyright © 2013 Bob Fleishman.

lzBobFBob Fleishman is a retired General Dentist who is using his newly found extra time in more creative pursuits. He has written two plays, The Man Who Makes You Laugh and The Session and is currently writing a book about growing up in his old neighborhood in Northwest Baltimore. In addition, he is a professional videographer currently working on a film for Baltimore City College’s 175th Anniversary.

Doodlemeister is looking for short memory pieces up to a thousand words, on any subject, in any style — as long as it happened to you. Whatever the subject, we have a bias for the lighthearted tone. And if need be we’ll help you to edit and/or cut your piece. If you’d like to submit a story, please contact us by leaving a comment or inquiry below.


Today’s Gag

February 11, 2013
0902love:sexCopyright © 2013 Jim Sizemore.

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Hip Shots

February 8, 2013

Casablanca IV

By Fred Maddox

(Click images for larger views.)

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images-2The “Hip Shots” series of photographs will feature images that were grabbed “on the fly,” with little or no regard for framing and focus. The object of the exercise is to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames exposed, the better the chances are that you’ll come up with something interesting — a related series that may be arranged as a post. If you’d like additional tips for using the technique, or to submit your own images, drop a question or note in the “Leave a Comment” section, below. This feature will appear most Fridays.

Copyright © 2013 Fred Maddox.

Hip Shots

February 1, 2013

Casablanca III

By Fred Maddox

(Click images for larger views.)

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images-2The “Hip Shots” series of photographs will feature images that were grabbed “on the fly,” with little or no regard for framing and focus. The object of the exercise is to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames exposed, the better the chances are that you’ll come up with something interesting — a related series that may be arranged as a post. If you’d like additional tips for using the technique, or to submit your own images, drop a question or note in the “Leave a Comment” section, below. This feature will appear most Fridays.

Copyright © 2013 Fred Maddox.