Prose Styles Gone Wild, #1

June 24, 2016

This headed the menu at Richard’s Restaurant in Baltimore, 1983.

RICHARD’S MISSION

Our mission is a simple one. To Please your palate and to sooth you aesthetically. To make the drinking and dining experience singularly pleasurable to you and your friends as well as those you send to us. If we do not, you must let us know and know why. Remember, it is you, our client, whom it is felt by us, one and all, that on account of you, pay the bill, hence, therefore, you are only the most primary important and very gorgeous person with whom we do business.


Today’s Gag

July 10, 2014
1407-Butter-BlogCopyright © 2014 Jim Sizemore.

Download

 


Three-Minute Memior

June 23, 2014

Rock Fish, Rob Roy’s and Miss Annie

By Jim Sizemore

(Click images for larger versions.)

33Annie

Mt. Vernon Restaurant, 904 North Charles Street

Baltimore, Maryland, 1970s.

220px-Rob_Roy_CocktailAnnie was my favorite waitress. I never learned her last name, but once or twice every-other week during the decade or more that I dined at the Mt. Vernon—usually alone— she took very good care of me. Almost every time, I ordered a whole baked rock fish (aka: striped bass, head and tail removed), with mashed potatoes and gravy, and either a small house salad or green beans. Or, in season, perhaps I’d have corn on the cob. And to top it off, I’d have a sweet Rob Roy (scotch and vermouth garnished with a brilliant red maraschino cherry), served in a fancy cocktail glass. The Rob Roy made me feel sort of sophisticated. At the end of each meal, without fail, Annie would look at my plate, smile and shake her head. Then she’d say with mock horror, “You didn’t finish your potatoes!?”

I’m now at the age when I can’t always trust my memory, but because of the good times I spent there I have a pretty clear recall for the Mt. Vernon interior. In fact, I recently found a yellow-ish clipping in my files from the Baltimore Sun Magazine dated February 11, 1973, against which I can test my braincell retention.

Dorsey:Sun-2:11:73The Dining With John Dorsey column provides this description of the Mt. Vernon interior: “One long, high ceilinged room that probably hasn’t been changed since the Thirties, with a bar in front, booths down both sides and tables in the middle. Nobody sits at the tables unless the booths are full. The lighting is uncompromisingly bright, but at least not fluorescent. There is wooden paneling about half-way up the walls, and there is a mirror on the wall in each booth; I don’t know why. What this does, though, is give you odd perspectives. For instance, by looking in the mirror across the room and one booth up, you can see what the people two booths away on your side are eating—or if you’re a lip reader you can take in their conversation. I’ve always thought this presented good spy story possibilities.”

That’s how I remember the room, too, and I especially like Dorsey’s bit about the odd booth-to-booth visuals provided by the small mirrors, something I was taken with and pondered myself; I would only add that they were diamond-shaped. I never wrote a spy story, but did pen a bad boy-girl “breakup” short story, complete with Hemingway-esque dialogue, set in a restaurant much like the Mt. Vernon. I used John Dorsey’s descriptions to what I imagined was good effect. In my story, though, I also observed that there were coat hooks attached to each of the wooden booths; in cold weather the hooks were laden with thick winter coats, scarfs, and piled-on hats, giving the room an even more crowded and homey feel.

Here are a few John Dorsey quotes about the quality of the food at the non-fictional Mt. Vernon: “The house specialty is a lamb shish kebab, served with rice and Greek salad. The lamb is sometimes tough, but usually well marinated and one can be thankful that it isn’t beef; the rice is thoroughly forgettable . . . . The shrimp cocktail, accompanied by the hottest sauce I have ever encountered in a restaurant (be warned), were delectable. But I must say I think shrimp are getting to be a luxury few people can afford anymore. Four medium-large ones for $1.75 is pretty stiff . . . . the vegetables you might as well forget . . . . the string beans I will pass over, and you would be wise to do the same. The salads, though, are always fresh and crisp.” 

Of course Mr. Dorsey ends with a description of dessert, one which happened to be my favorite: “We looked forward to our rice pudding . . . and were disappointed. It had little character and no raisins. The coffee was as always only pretty good, but they never seem to mind filling up your cup again. The bill for our dinner, with a drink apiece before, was something less than $13 before tip. Not really cheap, but not bad.”

And he finishes with a short, damning-with-faint-praise, editorial comment: “I like the Mount Vernon, but it’s hard to say just why. It’s even harder to recommend it. Let’s just say if you don’t mind it when the waitress calls you “dear” as long as she’s cheerful, you might give it a try.”

Ah, yes, I have fond memories of those prices! And the food, by my non-professional standards, was wonderful. But of course my fondest memories are of Annie. She was a warm, clever woman; a great talker, too—and I would now say sort of motherly. As for the comment about my uneaten mashed potatoes—always delivered as an exclamation and a question—that was her little running joke. Hearing her repeat it as if on cue each time I ate at the Mt. Vernon had a soothing effect; it made me feel—well—right at home. And which I now realize, or at least suspect, was Annie’s generous idea all the time.

Postscript: The pictures below depict exterior and interior views of Marie Louise Bistro, which is the current incarnation of 904 North Charles Street, in all its rehabbed glory. It’s a very nice place these days and I’ve eaten there with friends several times. But as good as the food is, as pretty as the setting is—and this should be no surprise after reading my short essay—it’s just not the same.

slide0Doodlemeister is looking for short first-person observations up to 1,500 words, on any subject, in any style, for this series. If need be, we’ll help you to edit and/or cut your piece. If you’d like to submit a story about something interesting you saw, experienced—or simply thought about—please contact us by e-mail at jimscartoons@aol.com

Copyright © 2014, Jim Sizemore

Today’s Gag

February 25, 2013
0901relationshipblogCopyright © 2013 Jim Sizemore.

Download

 


Today’s Gag

May 21, 2012
Copyright © 2012 Jim Sizemore.

Download

 


Today’s Gag

February 27, 2012
Copyright © 2012 Jim Sizemore.

Download

 


Hip Shots

September 10, 2010

Under The Table

By Fiona Pepys

(Click images for larger views.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise being to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames  exposed the better the chances are that you’ll come up with something interesting—a related series that can be arranged as a three-image post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click on these images for a larger view, and click the “Hip Shots” tag above for more examples. For another post in the series, tune in next Friday.

Copyright © 2010 Fiona Pepys.

Crow Happy Hour

May 19, 2010

Photo Doodle

For me, the interesting thing about this picture is what you can’t see—and, perhaps, just as importantly, what you can’t hear. On a trip last fall to visit relatives in my home town, I spent two nights in Lexington, Virginia, which is  40 miles east of my destination. When I’m down that way, I camp in Lexington because it’s a small town situated in a beautiful spot just off I-81, in the gentle foothills where the Shenandoah Valley narrows between the Blue Ridge and Alleghany Mountains. There are lots of things to see and do nearby, in contrast to where I come from, which is also situated in a beautiful area much deeper into the mountains. My birthplace is a depressed (and for me, somewhat depressing) paper mill town very near the West Virginia line. Lexington, being a university town (Washington and Lee, Virginia Military Institute), has all the amenities that come with that, including many good restaurants. It’s a wonderful destination and not just a stopover. On my first evening there this trip, while killing time before dinner, I wandered around town with my new digital point-and-shoot camera and soon found myself in the graveyard in which “Stonewall” Jackson is buried. The historic site is in a residential area on Main Street, just a few blocks south of the business district.

I shot several pictures in the graveyard, but the one above is my favorite. I love the way the late afternoon light comes through the silhouetted trees and creates those long shadows, the darker edges of the image framing some of the gravestones. Of course I was thinking about that when I composed the picture, and that’s also when a sort of eerie-beautiful event took place. As I stood there (and I stayed in that one spot for at least five minutes), a large flock of crows began to swoop in and out between the trees, caw-cawing the whole time as they cavorted. I had seen this sort of “happy hour” bird behavior before during the “golden hour” just before sunset, a favorite time of day, it seems, for birds, photographers and cinematographers. But I had never witnessed it in quite so dramatic a setting and with such loud sound effects. (Imagine being in the middle the gathering-of-the-birds scene in that Hitchcock movie, but experiencing it as pleasant rather than threatening.) This may have been the only time while out and about photographing when I wished that I had video instead of a still camera. Another disappointment: I had hoped to catch a bird perched on the foremost gravestone, but no luck. Not one bird landed while I was there, and even if it had I doubt I would have been quick enough to capture the image. You see, I was still a pretty slow photographer at that point, consulting the instruction book for just about every move I made with my new camera.

Copyright © 2010 Jim Sizemore.

Ocean City: Another View

July 18, 2009

The following short essay is adapted from a longer e-mail responding to my post of July 3. The original post was a satire critical of Ocean City, Maryland, delivered by a fictional character called “Mort.” In the late 1970’s and early ‘80s I used Mort to do the heavy lifting in a series of satires on various subjects, most of which were published on the Op-Ed page of the Baltimore Evening Sun. My post of July 3, titled “Down the Ocean: Insulting Remarks from a First Time Visitor,” derived from a 1978 published essay. The blog version can be seen by scrolling down a bit. Meanwhile, I hope you will take a few minutes to enjoy Angela’s very different take on her first “whirlwind” visit to Ocean City.

OC:PCd:blur

By Angela Adams

For a girl originally from a small town near Lansing, Michigan, driving into Ocean City, Maryland, for the first time early last winter, I had the impression that the place was asleep but beautiful — and lacked something. We parked and walked along huge black rocksAngela:4 (the breakwater) out toward the sea. I looked out over the most beautiful, never-ending body of water I had ever seen. The wind was cool but the sun was out and warmed my face. We walked toward the end of the rocks as far as we could without getting soaked. The view simply took my breath away. I had never seen the ocean before.

Later, hand in hand, we strolled down the boardwalk, even though many of the shops were closed for the winter. I noted that the amusement rides did not compare with those of Cedar Point in Sandusky, Ohio, but I could imagine how alive the area would be once people started visiting again in warm weather. We walked the shoreline, picking up special rocks and shells to bring home to my children. The whole time, all I could think about was how badly I wanted to some day bring them to this place.

As we drove the main drag, I saw closed hotels and businesses that gave the impression that the place was recently vacated due, perhaps, to an incoming hurricane. I can’t say that I paid much attention to the presence of storm drains, or noticed an overwhelming amount of power lines, but I will trust Mort’s assessment on those points. I do remember that all the hotels on the ocean side of the road were built almost on top of each other and were very colorful. One was pink, the next blue, followed by a yellow one — I thought: Is it the end of the rainbow? What also crossed my mind was where would all of the cars park when they did return in the summer? On the West side of the drag, there were at least eight miniature golf courses and some go-cart places intermixed between various restaurants, something for just about any taste imaginable.

I couldn’t wait for summer to return to Ocean City. We took my three boys, ages, 7, 9 and 11, there the first weekend inBoys:surf April, during their Spring Break. The sun was bright but the wind was chilly and the water was down right cold. But that didn’t stop the boys, as you can see in this photo. Even though they were shaking from the frigid waves, we still had to make them get out. They can’t wait to go back.

.

Angela Adams is 34, a single mom, and claims that she still doesn’t know what she wants to be when she grows up. She recently moved to Baltimore for the employment opportunities and has a job with a new payroll company, Pay Partners, beginning in August. Angela has a Masters in Business Administration, another Masters in Human Resources, and a Bachelors in Healthcare Management, so I think she’ll be just fine.

Copyright © 2009 Angela Adams.


Progress?

April 1, 2009

Recently, on a local radio talk show, a very high city official complained about slow growth in the municipal tax base. He said that if Baltimore is to prosper, we need a massive influx of dynamic, tax paying professionals. rehabI know the kind of “Young Master of the Universe” types he has in mind. In fact, he was talking about some of my best friends. These are special people with special needs, and if that city big shot is serious about attracting them, he must make an effort to understand and meet those needs. I can be of service in that regard.

My friends cannot survive without fancy hair salons and boutiques that sell designer jeans and t-shirts. They absolutely must have neon-lighted dance clubs and restaurants with cute items on the menu like Choo-Choo Burgers, Caboose Omelets, and Latté Grandés—whatever they are. My friends are unable to resist the attraction of little shops that sell expensive gifts that have no practical of aesthetic value, which they buy with “disposable income” and give to friends and relatives who all ready have everything. And, most importantly, my friends require new housing that appears to be old. This usually involves renovating vintage buildings by replacing everything in them, right down to the mortar between the exposed bricks in the walls.

A perfect example of what it takes to attract these folks can be found in South Baltimore around Cross Street Market, now called the fancier-sounding “Federal Hill.” In that area whole blocks of old homes were bought cheaply years ago and, in the process of renovation, prices were raised to levels the former tenants—working-class people, many of whom had lived there for generations—could not afford. So the renovated homes were sold to newcomers with unlimited resources. The rich class tends to swarm, like ants, and once a few were introduced into the area the picnic was over for everyone else. In South Baltimore the “renewal” continues to this day. Young Masters of the Universe clones are everywhere, and the neighborhood has become a sort of Georgetown-by-the-Harborplace. Where once was heard the sounds of the working-class struggling to survive, one now hears the rustle of Wall Street Journal pages being flipped, laptop keyboards being tapped, and café au lait being slurped.

The thing is, creating a trendy urban oasis such as the one I’ve just described is relatively easy. As long as working-class people cannot afford to wear designer clothes, drink expensive coffee, and rebuild their modest row homes from the ground up, the Cross Street Market model will work just about anywhere in town—it’s simply a matter of applying economic pressure to drive out the poorer population. And once every working-class neighborhood in Baltimore has been converted to an urban utopia for people like my friends, that high city official will have his wider tax base. And we’ll have a very different city. Wonderful.

This anger-tinged essay was originally published on the op-ed page of the Baltimore Evening Sun on July 5, 1979, under the editor’s title “Drink to me only with thine Perrier,” and with a different illustration (a really bad cartoon by someone on the Sun staff). Aside from the illustration, the only changes I’ve made are a few words here and there to update the text somewhat. This bit of satire was written at a time when I was pretty unhappy with the changes I saw happening in a part of town in which I had spent the formative years of my youth. As you may be able to tell by the tone of the piece, at the time I wrote it I was a sad, angry, even depressed young man. These days, thank goodness, not so much.

Copyright © 2009 Jim Sizemore.