Hip Shots

January 20, 2012

Sun Flares III

By Jim Sizemore

(Click images for larger versions.)

The “Hip Shots” series of photographs will feature images that were grabbed “on the fly,” with little or no regard for framing and focus. The object of the exercise is to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method the more frames exposed, the better the chances are that you’ll come up with something interesting — a related series that may be arranged as a post. If you’d like additional tips for using the technique, or to submit your own images, drop a question or note in the “Leave a Comment” section, below. This feature will appear most Fridays.

Copyright © 2011 Jim Sizemore.

Hip Shots

January 13, 2012

Beached II

By Isabel Perl

(Click images for larger views.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise is to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames  exposed the better the chances are that you’ll come up with something interesting — a related series that can be arranged as a post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. This feature will appear most Fridays.

Copyright © 2012 Isabel Perl.

Hip Shots

September 17, 2010

Sunset

By Jim Sizemore

(Click images for larger views.)

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise being to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames  exposed, the better the chances are that you’ll come up with something interesting—a related series that can be arranged as a three-image post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click on these images for a larger view, and click the “Hip Shots” tag above for more examples. For another post in the series, tune in next Friday.

Copyright © 2010 Jim Sizemore.

Hip Shots

July 16, 2010

Golden Hour

By Jim Sizemore

The “Hip Shots” series of Doodlemeister.com photographs will feature images that were grabbed “on the fly” with little or no regard for framing and focus. The object of the exercise being to create dynamic pictures, not perfect ones. With this ” shoot-from-the-hip” method, the more frames  exposed, the better the chances are that you’ll come up with something interesting—a related series that can be arranged as a three-image post. If you’d like additional tips for using the technique, or to submit your own pictures, drop a question or note in the “Leave a Comment” section, below. Meanwhile, click on these images for a larger view, and click the “Hip Shots” tag above for more examples. Tune in next Friday for another post in the series.

Copyright © 2010 Jim Sizemore.

Crow Happy Hour

May 19, 2010

Photo Doodle

For me, the interesting thing about this picture is what you can’t see—and, perhaps, just as importantly, what you can’t hear. On a trip last fall to visit relatives in my home town, I spent two nights in Lexington, Virginia, which is  40 miles east of my destination. When I’m down that way, I camp in Lexington because it’s a small town situated in a beautiful spot just off I-81, in the gentle foothills where the Shenandoah Valley narrows between the Blue Ridge and Alleghany Mountains. There are lots of things to see and do nearby, in contrast to where I come from, which is also situated in a beautiful area much deeper into the mountains. My birthplace is a depressed (and for me, somewhat depressing) paper mill town very near the West Virginia line. Lexington, being a university town (Washington and Lee, Virginia Military Institute), has all the amenities that come with that, including many good restaurants. It’s a wonderful destination and not just a stopover. On my first evening there this trip, while killing time before dinner, I wandered around town with my new digital point-and-shoot camera and soon found myself in the graveyard in which “Stonewall” Jackson is buried. The historic site is in a residential area on Main Street, just a few blocks south of the business district.

I shot several pictures in the graveyard, but the one above is my favorite. I love the way the late afternoon light comes through the silhouetted trees and creates those long shadows, the darker edges of the image framing some of the gravestones. Of course I was thinking about that when I composed the picture, and that’s also when a sort of eerie-beautiful event took place. As I stood there (and I stayed in that one spot for at least five minutes), a large flock of crows began to swoop in and out between the trees, caw-cawing the whole time as they cavorted. I had seen this sort of “happy hour” bird behavior before during the “golden hour” just before sunset, a favorite time of day, it seems, for birds, photographers and cinematographers. But I had never witnessed it in quite so dramatic a setting and with such loud sound effects. (Imagine being in the middle the gathering-of-the-birds scene in that Hitchcock movie, but experiencing it as pleasant rather than threatening.) This may have been the only time while out and about photographing when I wished that I had video instead of a still camera. Another disappointment: I had hoped to catch a bird perched on the foremost gravestone, but no luck. Not one bird landed while I was there, and even if it had I doubt I would have been quick enough to capture the image. You see, I was still a pretty slow photographer at that point, consulting the instruction book for just about every move I made with my new camera.

Copyright © 2010 Jim Sizemore.

Fort McHenry

March 17, 2010

August 20, 2009

Flag2:blog

Statue:flag:blog

Grainary4:blog

Copyright © 2010 Jim Sizemore.


Fort McHenry

December 2, 2009

November 18, 2009

Copyright © 2009 Jim Sizemore.


The Last Dog

June 26, 2008

Short Fiction/Part Four

Ted used heavy string to tie a little hangman’s noose around the rotten chicken neck, then he dropped the bait off the pier into the harbor. “Crabs are so dumb,” he said. “Once ol’ Mr. Crustacean grabs onto his smelly treat he forgets how to let loose, and that’s his undoing.” In no time flat a crab took the bait and Ted pulled it to the surface slow, hand over hand. I scooped it up in the net Alice made for us out of cheesecloth and an old broomstick. When I dropped the crab in the basket, Ted said, “Big one. That’ll eat good.” Alice did her crabs in a huge pot with water and beer and secret spices. The trick of cooking crabs, Ted claimed, was to let the liquid come to a boil and drop them in fast and slap the lid on. They never knew what hit them, he said. They went in blue and lively and came out red and dead—steamed to death.

Daddy had promised to take me crabbing but never showed up. Didn’t call, nothing, so Ted volunteered. Me and him and Ronnie went to Wagner’s Point. We got up at five and left the house at six. Alice was invited, but she said no. She claimed anyone who got up that early and didn’t have to was a damn fool. Ted picked a pretty spot on a falling-down pier by a refinery, close enough to smell the oil. We watched the dark outline of the city across the harbor get lighter in the warming air. The sky was clear except for a smear of orange smoke from Sparrows Point steel mill. A blue heron flew over with a fish all a-squirm in its beak. Ted knew it was a heron by the general shape, the long crooked neck, and how its legs hung out behind in the air. Judging the direction, Ted figured the bird was headed to the marsh grass in behind Fort McHenry. We crabbed and crabbed and the sun got hotter and hotter. Pretty soon me and Ronnie got bored and went to explore the rubble of an old pier shack. We climbed inside—at least it was shady cool in there—and scrambled over piles of boards and tar paper and other trash. At first I didn’t feel the plank piece stuck to my foot, and then I did. It hugged the the bottom of my sneaker like an extra sole, held there with a rusty ten-penny nail in my foot. After five minutes it got to hurt pretty bad but I didn’t cry. Ted left the wood where it was until we got back to the house, then he yanked it off and cleaned the nail hole with peroxide, like when he used to be a medic in the Army. Ted put a bandage on to stop the blood and took me to the hospital for a tetanus shot, cussing Daddy all the way there and back.

That evening Ted hollered at the radio in the living room, “Stupid, stupid, STUPID!” From where I was in the hall I could hear him but I couldn’t see him. He hated it if our team made a mistake. When our shortstop missed an easy grounder, Ted yelled, “JERK!” Meanwhile, I was watching Alice framed in the kitchen doorway, her back to me, how she took a bottle from behind the cleaning stuff under the sink and poured some in a glass and gulped it. Ted kept on at the radio, but I turned him off. The silent movie of Alice in the warm light from the bare kitchen bulb kept me mesmerized, how she emptied the glass and poured and poured. She gulped a last one, then rinsed and set the glass in the sink. Then Alice leaned on the counter top with both hands, shoulders pushed up so her neck disappeared. That caught my attention. I was focused on the round shape of her shoulders, the sad way they shook.

Most nights after supper Alice would sit with Ted on the sofa. Other times she wouldn’t, but when she didn’t he made it a point to sit with her. Ted would go at her all in a good mood and cuddle her. Other times she went at him, but when Alice went at Ted it could be a good mood or bad mood, either one. He never knew what to expect. There were days when Alice started at Ted in a bad mood but it ended with her happy and laughing a little, at least for awhile. But soon enough Ted would get tired of how hard it was most times to even get her to smile. Alice, though, once she got going, she kept at him. When it was her at him like that, after a while he would move her off him, off to one side—but gentle—and he would go on about his business. So even if they were at it only a minute ago—she at him or him at her—they were not anymore because he had decided not to play anymore. Ted would just go off somewhere and Alice was left to think about what next—dinner, maybe, or bedtime—something else altogether.

The next day Ted took me and Ronnie for a walk at Fort McHenry and I could tell it was because Alice had been at him that morning in a bad way and drove him crazy. But Ronnie didn’t let on like there was anything wrong between his parents. Anyway, who knows for sure what Ronnie ever thought? When it came to his folks, Ronnie’s mouth mostly stayed zipped. That time Alice was on Ted’s case because of the back yard, the mess his old dog made back there. When she went at Ted like that it usually rubbed off on Ronnie, too, so he had to know that something was up between them. The yard was Alice’s pride. Ted kept his old animal chained to a dog house back there that looked like a seaside cottage in some movie. The dog walked the ground smooth as far as the chain would let him, back and forth, just short of Alice’s flower bed. Alice claimed Ted never picked up the dog turds. The big problem, though, was when the dog dug a trench under the shade tree and flopped in it to stay cool. When he was in it, with his chin on the edge, all you saw was his wet nose, his brown eyes that followed you back and forth, and long ears twitching off flies. It was early fall, still real warm out, and Ted hadn’t filled in the trench like he promised Alice.

Meanwhile, at Fort McHenry, people were clumped together on the big lawn that went from the cannon walls down to the seawall. One family had a humongous picnic spread out on a tablecloth. Some teenage boys played football catch. A fat guy napped on the grass with a bath towel over his eyes. There were five kites high in the breeze over the harbor. The barn swallows that worked the grass were long gone, but some neighborhood chimney swifts still swooped low for what bugs there were left. Before long, Ted claimed, the bugs would disappear and the swifts would fly off to South America. In the harbor tugboats moved huge steamers into the main channel, or helped them dock at piers across the way. Sailboats went by. We walked the path that ran next to the seawall and Ronnie held tight to Ted’s hand, used his other hand to grip his daddy’s forearm like he was afraid he’d lose him. Ronnie was acting real pussy for a guy almost thirteen. Ted put up with Ronnie’s arm lock but when he had something to say he said it to me. He pointed at the sidewalk. “Duck shit looks like cat shit, Andy—small perfect turds in a pile. And gull shit, that whitish-greenish splatter? That looks like it could be from a fat man who just cleared his throat and spit.”

Ronnie didn’t laugh at that but I did. Most likely, Ronnie didn’t even know it was supposed to be funny. Alice hated when Ted used such words, but what he said about the different kinds of shit was true. I never would have thought of gull poop that way—how it looked and all—if he hadn’t said it. It got on toward sunset and me and Ted sat on the seawall to watch the light change and change while Ronnie went off to intimidate ducks. In no time flat the light on the pier buildings went from red-purple to the best gold I ever saw. I guess it reminded Ted of something, because that’s when he told me a pretty lie. “Andy,” he said, “this time of day if you climb up to our roof real quick—really, really fast—you get to see the sun set twice.”

The fifth and final part of The Last Dog will post tomorrow.