The Black BoxAs well as these poor poems I am writing some wonderful ones. They are all being filed separately, nobody sees them. When I die they will be buried in a big black tin box. In fifty years’ time they must be dug up, for so my will provides. This is to confound the critics and teach everybody a valuable lesson.
‘It’s Hard to Dislike Ewart’
—New Review criticI always try to dislike my poets, it’s good for them, they get so uppity otherwise, going around thinking they’re little geniuses— but sometimes I find it hard. They’re so pathetic in their efforts to be liked. When we’re all out walking on the cliffs it’s always pulling my coat with ‘Sir! Oh, Sir!’ and ‘May I walk with you, Sir?’— I sort them out harshly with my stick. If I push a few over the edge, that only encourages the others. In the places of preferment there is room for just so many. The rest must simply lump it. There’s too much sucking up and trying to be clever. They must all learn they’ll never get round me— Merit has nothing to do with it. There’s no way to pull the wool over my eyes, no way, no way . . . By Gavin Ewart —The Oxford Book of Comic Verse Edited by John Gross
Characters and Caricatures
Two cartoonists walk into a bar — No, wait . . .
When two cartoonists, Bob Weber, Sr., (on the left) based in Westport, Connecticut — and Jim Sizemore (me), on the right, based in Baltimore, Maryland — meet for a “bro-date,” what do we decide to do for fun? Drink? Nope, we’re both too old and wobbly for that, so scratch an extended saloon visit. Chase women? Once again, bad idea and for the same reason. Mud wrestle? Naw, I don’t think so. I’m three years younger than Bob, but I’m sure he can still take me.
But for old guys, we are pretty busy. Since 1965, seven days a week, Bob has drawn Moose & Molly, a nationally syndicated comic strip; and with his son, Bob Weber, Jr., he produces the kid’s comic activity feature, Slylock Fox, both distributed by King Features. While Bob is a big-time syndicate guy, I do magazine-style “gag” cartoons, marketed to print and web publications around the world by the London-based outfits known as CartoonStock.com and Jantoo.com. I also take on the occasional freelance humorous illustration project — a recent example being eleven images for a National Parks Service “Jr. Rangers” booklet at Fort McHenry.
So when Bob, who has lived and worked for many years in “Westpork” (as he likes to call it), shows up in his hometown of Baltimore, we usually try to get together for dinner. This trip — on May 11, 2013 — he had a different goal. Bob came down to attend a presentation by the internationally known, and locally based, editorial cartoonist, Kevin “Kal” Kallaugher. Kal has drawn his famous caricatures for The Economist magazine and the Baltimore Sun for over 35 years, and he had scheduled a multi-media book-launch extravaganza at the Walters Art Museum. Bob was keen to attend, asked me if I’d like to tag along, and I was happy to. So, what do old cartoonists do for fun when they get together? Why, whenever possible, they try to hookup with another cartoonist!
Kal began the presentation by talking at some length about his new cartoon collection titled, Daggers Drawn, all of the images done for The Economist. He said he got his big break there as a result of doing caricatures of people on the streets of London, and showed a slide of the cover of the book. He also promised that at the end of the show he’d teach us — the entire audience of over 100 — to caricature President Obama. (By the way, how many of the book cover caricatures can you can name?
Before our turn came to show our stuff, Kal did a self-caricature. That’s him all right!
Then he did a bunch of other folks, some of whom I think you’ll recognize, including the first President Bush, Al Gore, John Kerry, Bill Clinton. (You can enlarge any image by clicking on it.)
As Kal drew the caricatures, he explained his use of simple shapes — circles, squares, triangles, rectangles, etc. — to capture a likeness. For example, the Al Gore caricature is accomplished using mostly triangles — right side up, upside down and sideways. But he pointed out that the most important Gore feature was his half-circle”vampire-like” eyes, underlined generously with “bags.”
Another fun example. Kal began his John Kerry caricature with a very long chin-shape, then “realized” that it was by no means long enough, and proceeded to tear off the flip chart page and stick it on the bottom of a clean sheet of paper. Then, with a few more deft lines, he produced the clever drawing you see here.
Now that big finish: Kal’s demonstration showing how we can all “do” President Obama in 10 easy steps. Below I’ve tried to recreate his process, more or less . . .
2) Then add a long interior horizontal line, and two short vertical lines, to reinforce the top and sides of what will be the skull; and fill the spaces those two actions create with squiggly lines to indicate hair.
3) Next, place two short angled lines jutting off either side of the skull, then continue downward with two long inward slanting lines for the sides of the face.
4) Back up top, outside where the skull ends and the face lines begin — on both sides — place nested “C” shapes for ears.
5) In the middle of the interior face space, give him two dots for eyes.
6) Above the eyes, add several lines close together to suggest very bushy eyebrows.
7) Below the eyes, about half way down the face, draw a series of three large, connected, open-topped “O’s,” with the middle one bigger than the other two, to form the nose; then place a small open Obama “O” just under the nose.
8) Below that, add a stretched out “M” shape, enclosed with a horizontal line and filled in to make the upper lip; then a stretched out “U” shape under that for the bottom lip.
9) At the bottom of the face shape, add another — smaller —horizontal upside-down “C” to make the Obama chin.
10) To finish our Obama caricature, Kal had us begin at each side of the nose and draw long parentheses lines that extend all the way down to the chin.
Kevin Kallaugher (KAL) is the international award-winning editorial cartoonist for The Economist magazine of London and The Baltimore Sun. In a distinguished career than spans over 35 years, Kal has created over 8000 cartoons and 140 magazine covers. His resumé includes 5 collections of his published work, one man exhibitions in six countries, international honors and awards in seven. KAl is currently the artist-in-residence at University of Maryland Baltimore County. He has created acclaimed animations and calendars, toured the US with Second City improv comedy troupe and addressed audiences around the world. In 1999, The World Encyclopedia of Cartoons said of Kevin “Commanding a masterful style, Kallaugher stands among the premier caricaturists of the (twentieth) century.”